A Quote by Jane Hirshfield

I've gone to Yaddo many times, I've worked at the Rockefeller Foundation's Center for Scholars and Artists in Bellagio. That these are places of beauty and of changed landscape is helpful - but far more important for me is that they offer what I feel as a monastic luxury: undisturbed time.
I have lived for over three hundred years. In that time, the ideal of beauty has changed many times. Large breasts, small, thin, curved, tall, short, they have all been the height of beauty at one time or another. But in all that time, ma petite, I have never desired anyone the way I desire you." - Jean-Claude
I worked in a steel mill, I worked in a foundry, I worked in a paper mill, I worked in a chemical refinery, construction, I did all that. It was great work, it was good. I learned welding, mechanic, carpentry, but it saved me from going back to prison because that's helpful. It's really sad because those jobs are gone.
My time at Wofford was very dear to me. I chose to go there because the academics were so strong. I could have gone somewhere a little more local, but I wanted the academic challenges Wofford had to offer. It worked out pretty well for me obviously.
Frightening for many artists is promoting themselves. They feel it is... artificial and not what we want to be known for. Yet if we start thinking about what we do as important and important to offer to people, not to sell... it allows us to shift the way we think about promoting ourselves.
A lot of artists are involved with fabrication. Artists today are making more objects and many of them need the participation of a dealer in order to facilitate and provide support for projects. So that has changed. But I don't know if what it means to be an artist has really changed. I hope that it hasn't.
Time has changed and artists release more songs in a short span of time and that's where the auto-tune steps-in. One doesn't have to record a song multiple times to make it better.
This was the invention of modern American philanthropy as we know it. The idea of systematizing giving to achieve human progress was the true innovation of John D. Rockefeller, and ultimately the Rockefeller Foundation's legacy.
I feel an important part of beauty is not only what you do on the outside but also what you put into the inside. Good fresh food with many vegetables along with love and caring for others. I spend way more time serving others than I do on my beauty routine daily.
I've changed a lot, too! I'm different, too. I have far more in some ways to offer and far less in other ways to offer. That's life. And, you know, life goes on!
If there was some sort of mathematical equation for beauty, I don’t know if I would be the algorithm. I’m not a supermodel. That’s not what I do. What I do is music. I want my fans to feel the way I do, to know what they have to offer is just as important, more important, than what’s happening on the outside.
It is clearly not the journey for everyone. People succeed in as many ways as there are people. Some can be completely fulfilled with destinations that are much closer to home and more comfortable. But if you long to keep going, then I hope you are able to follow my lead to the places I have gone. To within a whisper of your own personal perfection. To places that are sweeter because you worked so hard to arrive there. To places at the very edge of your dreams.
To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.
Luxury is obviously the direction that interests me the most, but there is a lot of confusion between luxury and exhibitionism. For me, the concept of luxury is more traditional, more exclusive, more sophisticated than luxury for the masses.
The most effective tool I have to work with artists I admire is to point to other artists that I admire and show that I've worked with them many, many times. It's not because I have option deals; it's because they want to keep working with us.
Things have changed. I almost feel like it's more adaptable, and you can decide your own career now. I feel artists have so much more of a voice and so much more power now. It's really inspiring to see how a lot of the young artists use their platforms.
If there was some sort of mathematical equation for beauty, I don't know if I would be the algorithm. I've always been OK with that. I'm not a supermodel. That's not what I do. What I do is music. I want my fans to feel the way I do, to know what they have to offer is just as important, more important, than what's happening on the outside.
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