A Quote by Jane Hirshfield
Every other year or so I go to one of those great generous places, the artist retreats. Some of the poems in The Beauty were written at the MacDowell Colony, in New Hampshire, and others at Civitella Ranieri, in Umbria.
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Circumstances in life often take us places that we never intended to go. We visit some places of beauty, others of pain and desolation.
The learned are not agreed as to the time when the Gospel of John was written; some dating it as early as the year 68, others as late as the year 98; but it is generally conceded to have been written after all the others.
We had no religion at all, but we were Jews in New Hampshire, and my sister - who is now a rabbi - said it best: We were, like, the only Jews in Bedford, New Hampshire, as well as the only Democrats, so we just kind of associated those two things together. My dad raised us to believe that paying taxes is an honor.
Former New York Governor George Pataki may enter the race for president. It's not definite, but he tweeted that he'll announce his 2016 plans on May 28 in New Hampshire. Well, what's he gonna do, go to New Hampshire to say he's NOT running? That's like getting down on one knee and saying, 'I think it's time to see other people.'
When somebody's in love with you, they think it's amazing you've written them a poem, and when they don't love you anymore, they hate those poems. They wish those poems would go away.
If the motive of writing is for some people a kind of exercise in dirty laundry, that's one thing. I've always thought of my poems as meant to be overheard, as I think all of these poems are. It seems to me if you get experience right, even your most painful or humiliating experiences - if you get those experiences right for yourself and make discoveries as you go along and find for them some formal glue - they will be poems for others.
I've been starting in new places year after year after year. It's just like when I went to Greece or the Philippines. I love when people think I'm a new artist. It's a chance to start over.
Emily Kendal Frey's The Grief Performance is a book that condenses a journey of finding and re-finding loss into beautiful packages. The packages are the poems and they sit shiny and new on every page of this fabulous and generous book. I want to go into the world that these poems create, just so that I can be given these terrifying presents again and again. I know you will, too. See you there.
I have hundreds of poems memorized. Mostly by others, but also my own. I use the poems when I lead retreats for management groups on topics like creating teams, or coming up with a more entrepreneurial system, or creating more excitement.
He sang his last song. And the words of that have never been written down. But it was sweet and of great beauty, and those that heard it were changed utterly. Some say it was the song that moves the stars.
In other words, it is what I do in the world that matters. When I traveled for three months in the Mideast, the places I wanted to go back to were Turkey and the Gaza Strip. It has to do with what Gandhi said: he found God in the eyes of the poor. Those are the places which were so moving that they were just unbearable.
So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.
What I was really overwhelmed with by Africa was its tremendous natural beauty; I got to go to some pretty amazing places. Every other weekend we got a day or two off and go on a safari or the natural wonders of Africa and if anyone gets the opportunity to go there, it's something you have to do in your lifetime.
New Year's Eve is not about having a big party for me. It's a time of reflection, and I often go on spiritual retreats.
The stone in quarries is found to be of different and unlike qualities. In some it is soft, in others it is medium, in still others it is hard as in lava quarries. There are also numerous other kinds: for instance, in Campania, red and black tufas; in Umbria, Picenum, and Venetia, white tufa which can be cut with a toothed saw like wood.
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