A Quote by Jane Hirshfield
You can't write an image, a metaphor, a story, a phrase, without leaning a little further into the shared world, without recognizing that your supposed solitude is at every point of its perimeter touching some other.
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Not everyone knows how to be alone with others, how to share solitude. We have to help each other to understand how to be in our solitude, so that we can relate to each other without grabbing on to each other. We can be interdependent but not dependent. Loneliness is rejected despondency. Solitude is shared interdependence.
I don't think we need to extend unemployment any further without paying for it, and without making some modifications such as turning it into a loan at some point. It then encourages people to go back to work.
Creativity itself is a joyous unlatching. The act of creative imagining, inventing, saying differently, crafting a metaphor or image, then crafting another metaphor or image when you go further or when you revise - all these take whatever you think "is" and make clear that other possibilities exist as well. The sense of possibility, the amplitude and freedom that sense of malleability brings - for me, that cannot help but be joyous.
I was a man who thrived on solitude; without it I was like another man without food or water. Each day without solitude weakened me. I took no pride in my solitude; but I was dependent on it. The darkness of the room was like sunlight to me.
Anyway, solitary people interest me. There are so many different ways of being solitary.' 'I know just what you mean,' said X. 'I know exactly what you're going to say. Different kinds of solitude. Enforced solitude and voluntary solitude.' 'Quite,' said Viktoria. 'There's no need to go into it further. But when people understand one another without speaking, it can often leave them with very little to talk about, don't you think?
Write a little every day, without hope, without despair.
You must squeeze out of yourself every sensation, every thought, every image, - mercilessly, without reserve and without remorse: you must search the darkest corners of your heart, the most remote recesses of your brain, - you must search them for the image, for the glamour, for the right expression. And you must do it sincerely, at any cost: you must do it so that at the end of your day's work you should feel exhausted, emptied of every sensation and every thought, with a blank mind and an aching heart, with the notion that there is nothing, - nothing left in you.
But we may go further, and affirm most truly, that it is a mere and miserable solitude to want true friends; without which the world is but a wilderness.
To live in the world without becoming aware of the meaning of the world is like wandering about in a great library without touching the books.
When your world falls apart and you're left with just yourself, you're forced to discover who you are without all the beliefs, expectations, views, & self-image provided by some teacher or system. The calculating mind gives way to the intuitive mind, Knowing without Thinking.
Do not resent your place in the story. Do not imagine yourself elsewhere. Do not close your eyes and picture a world without thorns, without shadows, without hawks. Change this world. Use your body like a tool meant to be used up, discarded, and replaced. Better every life you touch. We will reach the final chapter. When we have eyes that can stare into the sun, eyes that only squint for the Shenikah, then we will see laughing children pulling cobras by their tails, and hawks and rabbits playing tag.
the world has changed: it did not change without your prayers without your faith without your determination to believe in liberation and kindness; without your dancing through the years that had no beat.
I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.
Fortune, the great commandress of the world, Hath divers ways to advance her followers: To some she gives honor without deserving; To other some, deserving without honor; Some wit, some wealth,--and some, wit without wealth; Some wealth without wit; some nor wit nor wealth.
Often we pass beside happiness without seeing it, without looking at it, or even if we have seen and looked at it, without recognizing it.
Without opening your door, you can open your heart to the world. Without looking out your window, you can see the essence of the Tao. The more you know, the less you understand. The Master arrives without leaving, sees the light without looking, achieves without doing a thing.
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