A Quote by Jane Levy
I find the film world very romantic. I want to try to be in more movies. When you're on a TV show and you do the same thing for years and years, it can get a little bit boring.
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The happy medium is television. And if you find a good suitor, you can do it for years. With movies, you roll the dice. If people don't show that weekend, you're doomed. TV allows you to percolate a little bit, and it gives you a chance for people to find it.
If I wanted to do TV full-time, 'Breaking Bad' is definitely the type of project I would want to do. But TV is not my favorite thing in the world. I definitely want to focus on film. It's what I grew up loving. It's always been about movies, movies, movies, movies, movies. I really want to make great films.
If you get on a TV show that's successful, odds are that you're playing the same character for as many years as the show is running, which can be its own blessing, but it can also be a curse because you're playing the same thing and that can be tiresome.
On a film you can really get away with learning the scene the night before and that's often just not possible with TV, so you have to be a little bit more prepared a little bit more in advance.
It gets a bit boring talking about the same thing for a hundred years.
Alfred Hitchcock talked about planning out his movies so meticulously that when he was actually shooting and editing, it was the most boring thing in the world. But drawing comics isn't like shooting a movie. You can shoot a movie in a few days and be done with it, but drawing a comic takes years and years... That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
I'm in a very good place now because I do theater, I do TV and I make movies. I was a dancer, so I dance a little bit. I was a musician, so I do a little bit of music. And I do all of this in four or five different languages, and all over the world.
I try to find inspiration in books, paintings, illustrations and the one thing I try to avoid is just being inspired by other movies, because then you just are talking about movies in movies. I try to talk about movies that are culturally and spiritually a little more diverse.
People think, "Oh my god, you've been doing this job for so many years, it must get boring." It's like, "No, hell no," because I get to sing, I get to dance, I get to be on TV and in films, I get to do merchandising, licensing, show up at conventions, write, or take photographs for my book. There are so many different things going on for me that it never gets boring. It's always fun and interesting.
I would not even attempt to do a history of world television. I did a half dozen years where I was a juror at the Banff World Media Festival, and you get the best TV in the world there, and I was astounded at my ignorance. I would be watching a documentary made in Japan, and it was astounding, and I would never have heard of that otherwise. We're seeing more and more imports in the last years, and my dream for the next generation of TV is that somehow we get to tap into all of that.
I've been an acquaintance of the president Ryan Glover for some years and for a couple years we've been talking about possibilities, puzzle pieces fitting together. I was doing an event that they were sponsoring, and after a group of us went to dinner and we started talking a little bit more and one thing led to another.We all thought it might be a good idea to try to develop a show and as we started talking about the show that we might bring to air, it turned into doing a newsmagazine.
The film festival is in a town in Arkansas, a quintessentially American town with a little town square. It's to champion women and diversity in all media, so TV, movies, eventually, digital, whatever you get into. That's the goal. We're using the same philosophy as my institute, which is to make it research-based and really try to work directly with filmmakers and content creators and move the needle. It's the only film festival in the world where the prizes are guaranteed distribution.
I'm unable to do the thing that Broadway actors do in plays, sometimes for years. The same exact blocking, the same exact lines. I'm a little bit uncomfortable with that. Every night I'm looking for ways to try something else.
I did 14 movies in six years, I had a cartoon TV show, and I don't want to do that again. I just want to make unique pieces of art. That's why I quit everything when I was 14 and sat around for eight years before I did another movie.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
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