A Quote by Jane Lindskold

Diana Wynne Jones' excellent book 'The Tough Guide to Fantasyland' is a compendium of the sort of lazy writing that has given fantasy fiction - especially the sub-section that features elves and dwarves and other Tolkienesque elements - a bad name.
While the whole 'God Butcher Saga' had elements of fantasy, sci-fi and horror all mixed together, 'The Accursed' is very much high-fantasy. Right out of the gate, we've got elves, talk of fantastic worlds, strange creatures, Malekith riding a flying tiger, as well as more dwarves, giants, trolls and elves than you can possibly count.
For the rest, they shall represent the other Free Peoples of the World: Elves, Dwarves, and Men, Legolas shall be for the Elves; and Gimli son of Gloin for the Dwarves. They are willing to go at least to the passes of the Mountains, and maybe beyond. For Men you shall have Aragorn son of Arathorn, for the Ring of Isildur concerns him closely.
It wasn't until I picked up Neil Gaiman, Diana Wynne Jones and Stephen King that I found there were people who were like me.
I'm writing a science book - a sort of compendium of all the ways I've found of explaining things to my artsy friends over the years.
Those were happier days, when there was still close friendship at times between folk of different race, even between Dwarves and Elves.' It was not the fault of the Dwarves that the friendship waned,' said Gimli. I have not heard that it was the fault of the Elves,' said Legolas. I have heard both,' said Gandalf[.]
Elves are wonderful. They provoke wonder. Elves are marvellous. They cause marvels. Elves are fantastic. They create fantasies. Elves are glamorous. They project glamour. Elves are enchanting. They weave enchantment. Elves are terrific. They beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad.
Initially it was a fascination for Tolkienesque Fantasy, and role-playing games, with time I realized that it was the mythological elements that fascinated me the most, so I moved more and more in that direction.
The fantasy world, the 'Game of Thrones' world, the forgotten realms worlds - they're the type of worlds I've always wanted to live in. Where vampires, dragons, dwarves and elves are real.
I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.
I realize that, to many readers, Hard Fantasy may seem to be a contradiction in terms. Fantasy, according to most generally recognized definitions, differs from both 'real world' fiction and 'science fiction' in that magic or magical creatures are active elements.
She was witchy, yes, and in charge of a cauldron roiling with ideas and stories, but she always gave the impression that the stories, the ones she wrote and wrote so very well and so wisely, had simply happened, and that all she had done was to hold the pen. (On Diana Wynne Jones)
I cannot say how strongly I object to people using other people's writing as research. Research is non-fiction, especially for horror, fantasy, science fiction. Do not take your research from other people's fiction. Just don't.
My feeling is that writing Fantasy should be harder - not easier - than writing any other kind of fiction.
Fantasy is fantasy. It's fiction. It's not meant to be a textbook. I don't believe in letting research overwhelm the fiction. That's a danger of science fiction in particular, as opposed to fantasy. A lot of writers forget that what they're doing is supposed to be art.
If there’s a zeppelin, it’s alternate history. If there’s a rocketship, it’s science fiction. If there are swords and/or horses, it’s fantasy. A book with swords and horses in it can be turned into science fiction by adding a rocketship to the mix. If a book has a rocketship in it, the only thing that can turn it back into fantasy is the Holy Grail.
Fiction writing and journalism, in my experience, are really excellent training grounds for each other.
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