A Quote by Jane Lindskold

Copy editors are very important and too rarely praised. — © Jane Lindskold
Copy editors are very important and too rarely praised.
Without editors planning assignments and copy editors fixing mistakes, reporters quickly deteriorate into underwear guys writing blogs from their den.
Alexander Liberman was very smart, very elegant. At the end, he didn't have much patience with me because I was a young, anxious, nervous photographer. I worried that I was copying too many other people. And he said, "It's all right to copy people, as long as the people you copy are good and you copy them well."
The credibility of the work depends on copy editors. I would argue with the copy desk, but I would thank them more.
Politics is too often regarded as a poor relation, inherently dependent and subsidiary; it is rarely praised as something with a life and character of its own.
Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
Start copying what you love. Copy copy copy copy. At the end of the copy you will find your self.
I have been a journalist, off and on, since I was 17. I was a copy boy for the 'New York Times,' when it had an edition in Paris, in 1963. I sold the paper in the streets by day and tore wire copy off the tele-printer for the editors making up the edition by night.
When Hillary Clinton deserved to be praised, I praised her. When Donald Trump did, as well, I did that, too.
Make your copy straightforward to read, understand and use. Use easy words; those that are used for everyday speech. Use phrases that are not too imprecise and very understandable. Do not be too stuffy; remove pompous words and substitute them with plain words. Minimize complicated gimmicks and constructions. If you can't give the data directly and briefly, you must consider writing the copy again.
I like L.A., I really do, but I'm really a New Yorker. In New York, there's a feeling that you're not praised or treated too preciously. No one ever feels too important because someone on the subway will reassure you that you're not.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
I think editors are excellent marketers. They know their audience and produce copy to appeal to them - they just don't call it marketing.
It's very important to learn quick lessons from your failures, very important to recognize symptoms of failure pretty early, and it is very, very important to not to be attached too much to the idea - you have to know when to give up an idea.
Does advertising corrupt editors? Yes it does, but fewer editors than you may suppose... the vast majority of editors are incorruptible.
There are two kinds of editors, those who correct your copy and those who say it's wonderful.
Aesthetes have it all over intellectuals in one very important respect: You'll rarely catch us hustling anyone off to the nearest guillotine. We're too busy trying to make the world more beautiful. Our hands are stained with ink and paint, not blood.
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