A Quote by Jane Lindskold

I started seriously applying myself to writing fiction immediately after I finished graduate school. By 'seriously,' I mean that, instead of noodling along on a story, finishing it or not as the mood struck me, I set out to complete what I started, to polish it to the best of my ability, and to send out the finished story.
One of my graduate school professors, to whom I started sending poems when I started writing again after a 10-year hiatus, suggested I prepare a book manuscript which he could send to publishers for me.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
'Divergent' was my utopian world. I mean, that wasn't the plan. I never even set out to write dystopian fiction, that's just what I had when I was finished. At the beginning, I was just writing about a place I found interesting and a character with a compelling story, and as I began to build the world, I realized that it was my utopia.
I was writing fiction in my 20s but in a pretty undisciplined way - late at night, maybe, after I'd peeled myself from the walls of a nightclub and crawled home along the gutters. But I slowly became more serious and more devout in my work, and I fell seriously in love with the short story form.
I finished school, because I started when I was thirteen, so basically around 16 or 17, I just focused on finishing high school.
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
I started out in graduate school to be a fiction writer. I thought I wanted to write short stories. I started writing poems at that point only because a friend of mine dared me to write a poem. And I took the dare because I was convinced that I couldn't write a good poem... And then it actually wasn't so bad.
Other people started taking me seriously before I took myself seriously.
I started writing seriously when I was about 12. I am always in the mood.
Finishing a guy like Benson Henderson, who hasn't been finished since for six years, the guy doesn't get finished and I finished it with a switch-step switch to Southpaw, knocked him out with my left hand.
It's difficult to write a really good short story because it must be a complete and finished reflection of life with only a few words to use as tools. There isn't time for bad writing in a short story.
Yes, after I finished my primary school, I went to the Rock Academy. I was only there for one year. I wanted to focus on my own music instead of making music for the school. So, I quit and started my own label.
Rob Horton, the main character of The Tiger Rising, was a secondary character in an adult short story I wrote, and he wouldn't go away after I'd finished the short story. I couldn't figure out what he wanted, so I wrote to find out.
I started singing one day along with my cousin, and I didn't take it too seriously. The people started telling me, 'Hey, you have a nice voice.' and I was like, 'Really?'
To me the early childhood story is an ecumenical one. You take poverty seriously. You take seriously maternal depression. You take seriously children under stress and you take seriously the effects of extended hours participation in poor quality care. Those are the facts I begin with.
When I first started out, there were times I would dress or act in a way because I thought it was expected of me or that people would take me more seriously. But once I started leading in a way that was authentically me, that is when I really started to see success.
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