A Quote by Jane Lynch
Seeing your work in something animated, you realize how little you have to do with all of it. It's always a surprise, and its always exciting to see. You never know what is going to happen when you're in that room by yourself.
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When you're auditioning, hold on loosely. Work hard on it at home, like you always do. But when you're in the room, let a choice happen to you rather than forcing a choice that's not ready to come. You'll surprise yourself and, hopefully, the people in the room.
A stranger can see in an instant something in you that you might spend years learning about yourself. How awful we all are when we look at ourselves under a light, finally seeing our reflections. How little we know about ourselves. How much forgiveness it must take to love a person, to choose not to see their flaws, or to see those flaws and love the person anyway. If you never forgive you’ll always be alone.
I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.
I think that sense of surprise, that you don't know where something is going, or what's going to happen, even as you write, that you're making it up as you go along - that's important to me. It's not a question of shock or surprise in a gimmicky way. It's that as you read, you become more deeply into something and into what happens, and become more involved and engaged, you're learning something or you're appreciating something or seeing something differently - that's what's surprising.
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
No matter how many years you play, it's always something new and exciting. It's sports, you never know what may happen.
Most of the time for me, you're learning what not to do, as opposed to what to do. You never know what to do. I don't, especially in a work environment. You have a little formula yourself. But when I see a director do something I think, whatever he or she just said totally screwed that actor up and now they're worse. I'm never going to do that. I'm going to figure out something else. I want my movie to be good. And that's how it works.
It's hard to put it in perspective right now. I'm starting to feel a little emotional about what's going to happen Friday night. Getting your number put in the rafters is always something that as a kid ... you dream of seeing happen to you.
Listen she said, everything ends, every single relationship you will ever have in your lifetime is going to end.... I'll die, you'll die, you'll get tired of each other. You don't always know how it's going to happen, but it is always going to happen. So stop trying to make everything permanent, it doesn't work. I want you to go out there and find some nice man you have no intention of spending the rest of your life with. You can be very, very happy with people you aren't going to marry.
I was surrounded by talented people. I always remember Mrs. Carmel Snow, saying to me, "You know, Polly, if one person thinks they're a big star, then we're all stars. You just go out there and always do your best. And always have time to see any designer - no matter how big or how small, have time to see them. You don't have to just see the big shots. You never know what's coming around the corner and the talent that is going to be important. That is your job."
Do you have your own room, Charlie Brown?" "Oh, yes... I have a very nice room." "I hope you realize that you won't always have your own room... Someday you'll get drafted or something, and you'll have to leave your room forever!" "Why do you tell me things like that?" "It's on a list I've made up for you... I call it, Things You Might As Well Know!
Hollywood's fickle. It's always been that way, and it will always be that way. And it's always going to be somebody new and exciting comes along. That's just the way it works, and it will always work that way. And I think that if you give it everything to the exclusion of your own real life and family, you've sold yourself down the river.
You could be in a room with somebody you don't realize you're in a room with and that first impression or something that you give off might be appreciated by someone or it might not. I'm always just being mindful of you never know who's watching.
I try to think of the songs as little movies. They're always pretty visual to me. I can always sort of see them. I don't always know what the end result is going to be, and I don't know exactly what it's going to sound like, but I can kinda see them.
I would love to go to college because you never know what is going to happen with your career, and you always want something to fall back on.
It's a wisdom that comes from seeing how things work. Things you want to happen always take a long time.' She pointed one little finger at the meech dragon and shook it in his face. 'You may read books and know bunches, but I have lived life longer than you.
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