A Quote by Jane Lynch
I love being the villain.
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I'd love to play a Bond villain. Yeah, I'd love to play a Bond villain. Everyone always says this to me; they always say, 'You've got to be a Bond villain', 'We're going to make you a Bond villain...' But they've never, ever approached me, I've never had a whiff of it. I think I'd love to play a Bond villain; I'd have great fun.
A lot of actors say that no villain wants to be a villain, generally. They don't might being evil, maybe, but they have an agenda that they can justify. Otherwise, a little bit of that tension goes, if you're just a villain and everyone hates you because you're mean.
I want to be a villain with steel hands or something. I want to be the crazy, world-domination-obsessed villain. I would love to be a Bond villain.
I can't tell people how much fun it is to be a super-villain. Being a villain is cool, but being a supervillain is a different level of exciting.
To be completely honest, it's shocking to me that I keep getting the villain roles! I do not see myself as the villain and I know, growing up, I was the opposite of a villain. I would never try to be a villain to anyone - but maybe other people I grew up with feel differently about that.
If someone has to be the villain, I'll be the villain. I have no problem with it. The movies still say, 'Starring... the villain.'
Too often, we get attention and sympathy by being a victim. If we're invested in someone being our villain, we must love being the victim. We have to let go of both characters in the story.
I understand being the villain is what people like. People play to that. They want to know about the villain.
That's not a villain, that's a man whose a victim of being in love with the wrong one.
I don't think of 'Macbeth' as the villain. I don't think of 'King Lear' as the villain. I don't think of 'Hamlet' as the villain. I don't think of 'Travis Bickle' as the villain.
I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
I was a street-guy villain. I was a street-corner villain. I was an illiterate villain. All rough edges.
I would love to, on one project, play a villain. Any kind of villain. Any kind of antagonist. Somebody who's just rotten but fun, or the anti-hero.
I'm incredibly grateful to be playing the villain in a world which, if I really thought to hard about what I was doing, I would get very nervous about the size and the magnitude of the importance and responsibility of being a villain in the world of 'Batman.'
Villains can often be one note and I would say in that case, it’s not fun to play the villain. It’s fun to play the villain if he a) has dimension and b) the villain gets to do all the things in the movie that in life he would get punished for. In the movie, you’re applauded for them if you do them with panache. And so that’s why it’s more fun to play the villain.
When I start creating a villain, I start liking the villain and so the villain is not really evil.
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