A Quote by Jane Lynch

I have to admit that I was a little nervous when I showed up for my first official 'Wreck-It Ralph' recording session. — © Jane Lynch
I have to admit that I was a little nervous when I showed up for my first official 'Wreck-It Ralph' recording session.
Capitol Records were very keen for me to write and see how I got on; I think that is what defined my sound. The first session I had was with two young up-and-coming writers, Nick Atkinson and Tom Wilding, and I went into a session a bit nervous because I hadn't written that many songs before.
From the moment we started working on the first 'Wreck-It Ralph,' we knew there were so many possibilities with these characters.
Tell ya mama to stop flirtin' boy, I'm not a good step-pop. I interrupt your little session...and wreck shop.
When I first started performing, I was a nervous wreck. Honestly, sometimes I felt like I was going to run off the stage.
From the minute you find out you're pregnant, I believe it's a workout, because you're constantly trying to monitor what you eat and what you do, especially for the first three months. I was a nervous wreck.
When Ralph Goodale tried to tax Income Trusts they showed us where they stood, they showed us their attitude towards raiding Seniors hard earned assets and a Conservative government will never allow either of these parties to get away with that.
I would imagine after the first recording session with Jerry Leiber and Mike Stoller and Atlantic Records I began to realize that this is going to be like this for the rest of my life and I knew that what, what they were doing was going to be successful because with each session that we would do, it would get better and better and better, the songs would become better, the, ah, the feeling of success was there and we were all in the middle of that as well.
These fans here are unbelievable. They showed up and showed out tonight. We needed every little bit of it.
I get a little upset, yeah, if a year goes by and I don't get a script. Thank God I have other interests that keep me from becoming a nervous wreck.
I'm a nervous wreck. If it's a 20-day shoot, at lunchtime on the first day, I'm thinking "Only 19 and a half days to go... I can make it!"
There's times I've been quite nervous doing session work, such as when I'm asked to play the violin in a 'country and western' style or a 'gypsy' style. I'm not very good at that sort of playing at all. I think it's important as a session musician to have your own voice.
I don't get nervous anymore. The first couple times I met Roger Federer, or Grigor Dimitrov, I was a little nervous. But now, it's more natural.
Mahesh doesn't show his own anxieties when his films are up for release, but I become a nervous wreck.
'Ralph's Party' was a romantic comedy, and at the end of it, the two main characters, Ralph and Jen, kiss for the first time and think they're going to be happy together. Then, 10 years later, I wrote a sequel in which they've been together for 10 years and are about to split up.
I don't plan [my recordings], I really don't. It's so spontaneous I wish all rock lovers and rock journalist could witness a Ted Nugent recording session. It is so primal, it's like idiot kids in the garage with their first loud amplifiers, its intoxicating, it is irreverent, it is uninhibited.
All I ever wanted was to make scrilla Have a recording session with J Dilla.
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