A Quote by Jane Lynch

I auditioned for a one-act version of 'The Princess and the Pea' called 'The Ugly Duckling,' and I was cast as the King, starting a pattern of being cast in roles originally intended for men. I went to the first rehearsal, and I didn't get any laughs, and I choked and I quit. I walked away from it and joined the tennis team.
Every last cast is actually a first cast. The first cast and first chance to catch the next fish. The next time you anguish about whether to make that last cast, forget it - the anguish that is - and cast away. The next fish caught on a last cast will not be the first.
I went to the University of Michigan for two years, and I auditioned for 'Bring It On' during my sophomore year, so I got to finish my sophomore year, and then I joined the cast - the touring cast.
Models have a stigma that they can't act. You're also, to be quite blunt, you're tall and not a lot of actors are tall and when you are starting out you're obviously not the first one cast, so you're trying to fit into a mold. You're quite often not cast as the quirky best friend, but you don't have the experience to be cast as the lead. So it can be really tricky. One of the biggest things is just to get your people, so to speak, your agents and managers to take you seriously. That's one of the issues I had when I came out to LA.
My first-ever role was the king in 'The Princess and the Pea.'
Fate cast me to play the role of an ugly duckling with no promise of swanning. . . . I have played my life as a comedy rather than the tragedy many would have made of it.
It was so fascinating to be a part of this, because as the women took on these central roles that had all the good lines, therefore all the good laughs, all the great moments- the men, who had joined us to sit on stage, started squirming rather uncomfortably. And got really bored. Because they weren't used to being the supporting cast. It was fascinating to feel their discomfort, to discuss it with them afterwards when they said, 'It's boring to play the girl role.' And I said, 'Yeah. Yeah, ya think? Welcome to our world.'
I also think the more experienced you get as an actor, you start to hear the conversations about why people get cast and not cast, sometimes it's so arbitrary. They decided the moment you walked in the door. And there's nothing you could have done to sway them, even if you'd the greatest performance of all time.
In my books, there is no 'ugly duckling turning into a beautiful swan' syndrome because if you look at the Hansel and Gretel syndrome, it was a mistake. It wasn't a duckling, it was a cygnet, and that's why it turned into a swan. The duckling should with any luck turn into a nice clucking duck and get on with its life. Cluck! Cluck! Cluck!
I was lucky - the first eight productions I auditioned for, I got cast.
There's not millions of dollars riding behind something - so I think a lot of people took chances on me and cast me in roles in Chicago that I never would have gotten cast in possibly if I had come to New York right away. I got to be the not-your-typical-choice for a role.
I was originally cast to be the brains of the Enterprise. Somehow I became The Chick. There's a little ugly girl inside of me going 'Yay! I'm a sex symbol!'
I was 16 when I auditioned for the series '8 Simple Rules.' They cast the kids first.
For to cast away a virtuous friend, I call as bad as to cast away one's own life, which one loves best.
I've auditioned for normal characters. But I never get cast.
If a person seems wicked, do not cast him away. Awaken him with your words, elevate him with your deeds, repay his injury with your kindness. Do not cast him away; cast away his wickedness.
Any time you cast an actor, you don't just cast that actor; you cast all their other performances as well.
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