A Quote by Jane Lynch

Everybody has their own way to deal with it. I don't concern myself with other people's - whether or not they want to come out, it's not something for me think about. — © Jane Lynch
Everybody has their own way to deal with it. I don't concern myself with other people's - whether or not they want to come out, it's not something for me think about.
I don't come from a flashy film background. TV's been a great home for me, and being able to do that work kind of unnoticed, and not putting that out in the foreground was perfectly fine for me. I just continue to want to make sure that that's what it's about. I think when you start spinning out on what other people are doing and trying to chase something, you're really on a one-way ticket to things not working out the way you want them to.
It's not about pop culture, and it's not about fooling people, and it's not about convincing people that they want something they don't. We figure out what we want. And I think we're pretty good at having the right discipline to think through whether a lot of other people are going to want it, too. That's what we get paid to do.
I think what you have to recognise is everybody has their own deal, and everybody has challenges. Do I think that it was easier for me because at a certain point in my career I didn't have children? Yeah, I think absolutely so. But everybody has their own deal.
When making a film, I'm never concerned about whether the theme is new or whether it's been done before in cinema or not. I'm led to make films if there's a theme that interests me or I experience something in my own life that confronts me with something that I want to deal with.
If I'm shopping at the Gap or Old Navy, I'm saying that I'm an ordinary person: I don't want to be seen; I don't want to stand out. That's a statement. If I'm wearing a leather jacket, there's something about me that's kind of a rebel. So everybody says something, whether they want to or not.
When I had other things to deal with in my personal life, people were telling me to come and play for Scotland. So I'd come but then not play. I'd prefer people just to be honest with me and say whether they really want me there or just as a back-up.
I think that obviously the quest for purpose, or meaning, or understanding to existence is something that I always think about, always deal with. I guess everybody does - that existential crisis of human condition. It's nothing new. But I'd love to come across something that really made me believe in something.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
I've always considered myself a workaholic... The way I work, I have to turn myself upside down and hang myself by my ankles and wring myself out like a wet sweater, and I have to do that with other people, too, because I think that's where something good comes out.
These people who are making a big deal out of gay marriage? I don't give a fuck about who wants to get married to anybody else! Why not?! We're making a big deal out of things we shouldn't be making a deal out of. hey go on and on with all this bullshit about "sanctity"—don't give me that sanctity crap! Just give everybody the chance to have the life they want.
When I run a race, I, maybe inadvertently or unknowingly, concern myself with whether the fan was entertained or got what he expected or whether they got what I think they deserved out of me and out of the race.
I'm always like that about everything. When I try to do something, I always think, "What is the best way to do this?" Instead of taking what everyone else says and how it has been forever, it's faster for me to try myself. Of course I listen to what everybody says, and at first I'll try what people say, but I always come back to trying it my way.
The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."
Other actors are not my concern, and that's their life and that's their journey. Everybody has to get to a point in their own time and their own way.
I was blessed with a sense of my own destiny. I have never sold myself short. I have never judged myself by other people's standards. I have always expected a great deal of myself, and if I fail, I fail myself. So failure or reversal does not bring out resentment in me because I cannot blame others for any misfortune that befalls me.
I want my music, whether it's sung by other people or sung by myself, to affect the way the Top 40 radio sounds. I want to heavily influence it with things that have come directly from my brain.
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