A Quote by Jane Lynch

In Chicago, actors start up companies and get together and produce things, and there's a really rich, vibrant non-Equity theater scene out there. — © Jane Lynch
In Chicago, actors start up companies and get together and produce things, and there's a really rich, vibrant non-Equity theater scene out there.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
We really wake up every day trying to build businesses. That is the goal of private equity. It's a misnomer out there that private equity profits by shrinking companies. In fact, it's just the opposite. Private equity creates value by growing great companies.
I really wanted to go to a city and get involved in a theater scene and a theater community. I had some friends who had moved out to Chicago and had said really good things about it and about the work. I didn't care at that time about making money.
When I first started training to be a wrestler I was also trying my hand at acting. I was trying to get into the Chicago theater scene. It was tougher to get into the theater scene than I thought and I almost gave wrestling a try as an afterthought.
I think so many great artists are flocking to LA because the downtown art scene is so vibrant, there is cheap living and you can really flourish as an artist there. There is an unbelievably supportive and really smart, talented theatre audience in LA full of young, hungry, vibrant people. It's something that sort of makes me think of what New York must have been like in its downtown theater scene in the 1980s - before my time.
I majored in theater in college. I did a couple of plays in high school, and I really enjoyed it, so I went to Illinois Wesleyan University and got a degree, and then I went back to Chicago and started doing theater in all the companies around the city for about 11 years before I moved out to L.A.
Chicago actors and Chicago theater is some of the most authentic stuff that you will ever encounter, and I'm so proud to have come up from that. It's where I cut my teeth and where I found my passion for this work.
The arts scene in Baltimore is really rich and very vibrant. It's one of the untold stories of the city.
Everybody does their homework, and we all come together and just knock it out. There are adjustments to make, and if you have actors who are collaborators and who really know how to listen and be in the scene together, than it works out beautifully.
Growing up in Chicago, I was a theater nerd. That might be very cool on the East Coast, but in Chicago, it's really the athletes that come in No. 1 on the cool scale. Maybe musicians after that. Community theater? That's way down the list, my friend.
I love Chicago, but in a lot of ways it's a disappointment. You can work there for years and years, and because you're in Chicago, you don't get the recognition. It has some of the best theater in the country, but when they shoot a movie there, they bring in all their actors.
I did a lot of small black-box theater in New York when I was starting out. I'd get a group of actors together to do workshops and readings. And I ended up directing three or four productions.
I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.
London is completely unpredictable when it comes to weather. You'll start a scene, and it's a beautiful morning. You get there at 6 in the morning, set up, you start the scene, start shooting. Three hours later, it is pitch black and rainy.
I've never seen a theater community to rival that of Chicago. Neither New York nor L.A. has the raw talent or integrity that Chicago theater has, and I think it's because Chicago doesn't have Broadway or the film and TV business to distract it.
I came out of the old Second City in Chicago. Chicago actors are more hard-nosed. They're tough on themselves and their fellow actors. They're self-demanding.
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