A Quote by Jane McDonald

I had the working class ethic. I wanted to make a living and there weren't many opportunities for an opera singer in Yorkshire, so I went onto the club circuit. — © Jane McDonald
I had the working class ethic. I wanted to make a living and there weren't many opportunities for an opera singer in Yorkshire, so I went onto the club circuit.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
I never wanted to be an opera singer. I wanted to be an actress, maybe a rock singer.
I started to develop my comedy skills when I became resident singer at the Boggery Folk Club in Solihull. My career blossomed from there, and I became a big draw on the folk-club circuit.
One of my sisters wanted to be an opera singer. So, we spent a few dollars to try to train her, because Italian people would like to have an opera singer in the family. But she's got trouble coughing, let alone singing. One day, she was in the shower singing 'Madame Butterfly,' three days later the Japs attacked Pearl Harbor.
I originally wanted to be an opera singer. I studied classical voice at the University of Washington but soon realised I didn't have the instrument or the discipline. The road for opera singers is more difficult than for actors.
In opera tradition, when opera die-hard fans, there is a replacement of singer or singer wasn't at his or hers vocal best, doing something, they boo. Especially now that they pay hundreds of dollars for the ticket.
If I'd been doing the cabaret circuit or the club circuit or the Saturday night telly that was around in the 80s, I wouldn't be around any more, because those shows have fallen by the wayside. So I have had to keep changing.
I always loved the Yorkshire members and was passionate about playing for the county, but the people who were running the club made it at times unbearable for me. The rulers had a history of doing what they wanted and sacking players seemingly on a whim.
I really thought I wanted to be a musical-comedy star, but I lived in Phoenix and didn't want to go all the way to New York and be that far away from home. So I thought maybe I'd be a rock 'n' roll singer or an opera singer.
I dreamed big. So it's so great to be living my own dream. I'm working in an industry that I want to work in, and I'm doing something that I love every day. So I feel really lucky to have had so many opportunities.
I was tired of working in an office and I wanted to make a living telling stories. There are not many people who find a way to do this.
There's a kind of a line between music and math, so I guess I got the music gene, thank goodness. But my mother wasn't too thrilled. She wanted me to go to university and get a degree or do something, and my father, he liked opera so he wasn't too thrilled either, because he wanted me to be an opera singer and I didn't have - as he said, I don't really have the strength to do that.
I wanted to be an opera singer since I was a very little girl.
To be a famously successful opera singer. I wanted that since I was eight.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
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