A Quote by Jane O'Meara Sanders
I used to make fun of people who talked about going home and all that. I hadn't really thought about it at all, but I just teared up when I saw Ireland. I felt a kinship.
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I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.
When I saw photographs of children murdered by the Fascist, I felt furious pity. When the supporters of Franco talked of Red atrocities, I merely felt indignant that people should tell such lies. In the first case I saw corpses, in the second only words. . . I gradually acquired a certain horror of the way in which my own mind worked. It was clear to me that unless I cared about every murdered child impartially, I did not really care about children being murdered at all.
I realized I was growing up or something like that. You have responsibilities...you've got to think about getting your act together. I didn't even know what it had been doing to me. I didn't realize how dangerous it was. People talked in terms of drugs and I used to think in terms of...well in Ireland, everybody drinks. Nobody gives it a second thought. You're Irish number one and you're a drinker number two. That's the first two things about us Irish.
No, I just thought of a story and wrote down what I saw. It was about two kids in Ireland who went around killing people. It was called Travelers, and it was made as an independent film.
When I was on the 'Knock Madness' tour, I was just thinking about life; I started questioning God. I was praying a lot. I was just really emotional. I was going through a break up situation as well. And I just felt like I needed to be home. I was over the rap thing. I just felt like I wasn't getting the respect and credit that I deserve.
Everybody gets talked about. Jesus Christ got talked about. It's just what happens. It's just part of it. And if people aren't talking, it's like, who are you? So I really let the people talk.
I think it's just really made me appreciate life more. I've known people die before that and I was really rattled by it but when it hit so close to home ... it was just so different. I just thought about what I really wanted to do. I want to be a pro surfer and that's what I'm going to do.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
I saw the discrimination that was happening towards Middle Easterners, Muslims and other brown people who had nothing to do with 9/11. It suddenly felt like a duty of mine to talk about some of the crazy things that were going on and make fun of how stupid it was.
I always say that, I never talked about the NBA, I never talked about anything because I was just playing basketball for fun. I didn't think about being a professional and I didn't even know you could be signed.
This is why I loved the support groups so much, if people thought you were dying, they gave you their full attention. If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window. You had their full attention. People listened instead of just waiting for their turn to speak. And when they spoke, they weren't just telling you a story. When the two of you talked, you were building something, and afterward you were both different than before.
I used to think that when I grew up there wouldn't be so many rules. Back in elementary school there were rules about what entrance you used in the morning, what door you used going home, when you could talk in the library, how many paper towels you could use in the rest room, and how many drinks of water you could get during recess. And there was always somebody watching to make sure. What I'm finding out about growing older is that there are just as many rules about lots of things, but there's nobody watching.
Many people say to me, "I saw [Miral] and it really stayed with me. I woke up the next day and really thought about it, and have been thinking about it for awhile." That was my goal.
I talked with Tom Hanks. I saw that movie 'Turner and Hooch' at least 50 times. It took all my guts to go up to him. I went up to him, I was like, 'Can I have a picture?' We talked acting; he wanted to know what I was doing. We talked a little tennis. I mean, he knew all about myself and my sister.
A couple days ago, I saw a lot of people tweeting, 'Oh, it's so cool 'Home' is being used in the Olympics!' We don't really get to watch much TV, man, with the concerts every night, but I wish I could have seen it. I really just found out through Twitter and my management texting me. I thought it was really awesome.
I wrote the script to 'Lady Bird,' and it really came out of a desire to make a project about home - like, what the meaning of home is, and place. I knew Sacramento very well, obviously, growing up there, and I felt like the right way to tell a story of a place was through a person who's about to leave it.
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