A Quote by Jane Pratt
So when my critics say that Sassy is only for alienated teenagers, I feel like responding, 'Well, isn't an unalienated teenager the biggest oxymoron?'
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Movies make teenagers have quippy answers for every question. Nothing seems to faze them, and they're like, 'Oh, whatever.' You're not like that when you're a teenager. You're really earnest. Things really feel like life or death. And you kind of oscillate between emotions at one time. It's very emotionally draining being a teenager.
After 'Arrested Development,' I didn't know for sure if I wanted to be an actor. I was hitting this wall, where I was the 'ethnic best friend' or the 'sassy teenager.' It felt like the same note, and I didn't feel like I was growing.
When I started, it was all meter maids or the sassy nurse, or the sassy receptionist in the hospital. And I felt like: Are those the only jobs that large, black women have?
I remember the kind of teenager I was, the kind of teenager I wanted to be, and then the kind of teenagers that were all around me. Life is lived on such a big scale in those years - and such an embarrassing one as well.
Well, I'll tell you, I don't know how aware teenagers are of me. I think it really depends on the teenager and how well-versed in music they are and what kind of music they like.
I think the internet is kind of redefining what it is to be a teenager. Because there's a lot of media that's aimed at teenagers that other people are getting into. But, conversely, pornography or stuff that's intended for adults is completely readily available to anyone, like teenagers.
Playing normal is hard; especially playing normal that's not you. The biggest challenge in playing Alicia is trying to make a teenage girl seem fully formed and not the quintessential moody teenager with a quippy, sassy line here and there.
I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager. I like being around teenagers. It's good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They're mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
I used to say teenagers were the aliens among us and I think all teenagers feel that way in many respects.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
When critics ask you if you feel vindicated by other critics - I didn't like critics then, and I don't like them now. There you go. I've always been outside the mainstream, and it stayed that way.
Especially as a teenager, you were so fond of Schiaparelli because she was slightly extreme, rebellious, and iconoclastic as well. That appeals to teenagers!
The sight of a sullen teenager is common no matter where you go. Teenagers want things so powerfully and can never seen to get them, and to add insult to injury, people make light of your feelings because you are a teenager. They say time will mend a broken heart and they're often right. But not where my feelings for Hardy were concerned.
The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.
Just like I have my critics, Dwayne 'The Rock' Johnson has critics, and I was one of the biggest 'Hey man, you're never here' guys around, but not anymore. He's completely committed to WWE.
Critics can say what they like about the films, but very often, there's a certain expectation of documentaries that they're supposed to be like PowerPoint presentations. I see documentaries as movies. So when I see some critics writing that we could have done without the recreations altogether - well, perhaps.
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