A Quote by Jane Rule

Conventions, like clichés, have a way of surviving their own usefulness. — © Jane Rule
Conventions, like clichés, have a way of surviving their own usefulness.
In 'Windtalkers,' the director John Woo is meticulous in melding his own intimate style into the cliches of a large-scale war movie, paying homage to all the tired conventions of the genre. But it's an honor that these cliches don't deserve.
Life is not bad, and it doesn't look more real if it's ugly or it's gritty. Think of your own life. Most of what's in your own life, hopefully, is exactly that. Friendship and love and passion for movies and cartoons and comic books, whatever it is that you love. Most of the way we live our lives involves looking for pleasure and beauty and happiness and affection. Real artists don't use reflexive clichés about things. It's about honoring the reality of people's lives, which defies conventions and clichés and expectations. People are interesting, period.
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.
To idealize: all writing is a campaign against cliché. Not just clichés of the pen but clichés of the mind and clichés of the heart.
The hero surviving his own murder, his own suicide, his own addiction, surviving his own disappearance from the scene
Surviving failure is one thing. Surviving success is... is challenging, with the consequences and what you lose along the way.
I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed.
Morals always sound like cliches, but usually cliches are based on things that are ultimate truths. Be grateful for what you have; appreciate what's right there in front of you.
Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
I don't think there are any clichés I try to avoid. As soon as I spot a cliché, I go for it. I feel like clichés are the most useful thing in songwriting. They're the tool on which you build all the rest of the song.
You owe it to yourself to find your own unorthodox way of succeeding, or sometimes, just surviving.
If I ever see another Shakespeare production where somebody drives a Jeep on stage, I'm going to run screaming up the aisle. These tend to be matters of design. I mean, we're seeing a lot of - it's very common to see Shakespeare with automatic weapons, things like that. They are clichés. They're new clichés, but they are clichés. And they're provincial. It's not clever to do Henry V, and have everybody dressed in United Nations soldier's costumes anymore. I've seen that one too. That kind of thing irritates me.
Literature may make the reader reexamine some of his or her own conventions, look at himself or herself in a different way, look at others in a different way. This goes way beyond just making statements or manifesting principles.
The problem with clichés is not that they contain false ideas, but rather that they are superficial articulations of very good ones...If...we are obliged to create our own language, it is because there are dimensions to ourselves absent from clichés, which require us to flout etiquette in order to convey with greater accuracy the distinctive timbre of our thought.
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