A Quote by Jane Siberry

I started feeling it was wrong to withhold my music for money - as strange as that might sound! — © Jane Siberry
I started feeling it was wrong to withhold my music for money - as strange as that might sound!
The music of ABBA is not that happy. It might sound happy, in some strange way, but deep within, it's not happy music. It has that Nordic melancholic feeling to it. What fools you is the girls' voices. You know, I do think that is one of the secrets about ABBA. Even when we were really quite sad, we always sounded jubilant.
I was shy at dancing. I practice at home. I was practicing in the mirror. Dancing everywhere. Then I just started feeling good. I started feeling coordinated. I started feeling the music better.
I've always been into music that was meshed together - not necessarily wall of sound stuff but music where you get duelling guitars and weird harmonics by putting things together, and you might not even know what's playing - it could be four or five instruments doing the same thing, and it's this strange concoction.
I often get asked, 'Is the book dead?' It hasn't happened yet. It's different than music. Music was always meant to be pure sound - it started out as pure sound and now it's pure sound again. But books started out as things. Words on paper began as words on paper. The paperback book is the best technology to deliver that information to you.
Fame is great when everything in your life is going well. But when it goes wrong, when you're having to jump on a bus, because you can't afford to pay for a taxi, and you catch people looking at you. It might sound strange, but you feel ashamed. And that's hard to deal with.
When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic - here on Sixth Avenue, for instance - I don’t have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don’t need sound to talk to me.
I still play music for the same reasons as when I first started; for the energy, the feeling, the interaction with others. Not for the money, ego or greed.
To withhold deserved praise lest it should make its object conceited is as dishonest as to withhold payment of a just debt lest your creditor should spend the money badly.
Hip hop started in NY so it's important that New Yorkers realise that to talk about NY music and its sound should not be a small-minded conversation. Music is supposed to evolve. It's supposed to be going through changes, it's not supposed to sound exactly the same as what it did when it started. NY hip hop has to be allowed to move on and grow and expand.
The music was more than music - at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous.
When I saw music as a means to an end - more fame, more money, dating celebrities - that's when things have gone terribly wrong. Now my life is focused on just trying to keep making music. Because when it's really good, it's just the most remarkable feeling on the planet.
I started calling myself the Pied Piper, when I started using the flute sound in my music.
I never really made much money playing music. It's because I've never really worked with a producer who could make my music sound, I guess, like how the public wants it to sound.
Of what use is the universe? What is the practical application of a million galaxies? Yet just because it has no use, it has a use - which may sound like a paradox, but is not. What, for instance, is the use of playing music? If you play to make money, to outdo some other artist, to be a person of culture, or to improve your mind, you are not really playing - for your mind is not on the music. You don't swing. When you come to think of it, playing or listening to music is a pure luxury, an addiction, a waste of valuable time and money for nothing more than making elaborate patterns of sound.
It started off with me being all the way influenced by Atlanta and southern music but I knew my sound had to grow - I started learning melodies.
I think the best part of being Catholic, strange as it might sound, is that I know it's right. It's true.
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