A Quote by Jane Siberry
'The Taxi Ride,' from my second album, is one people want to hear a lot. I'm consciously trying to walk on the sunny side of the street, to really lift myself into a place of greater positivity, and that's a sad song.
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My favorite song on the album is 'Paper Doll' because I think it's a message that a lot of people need to hear, and it's about something that a lot of people struggle with. But I don't victimize myself in the song and I don't allow the person who's trying to intimidate me get to me.
I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.
I don't know if I have a 'Greatest Album Ever.' I really liked 'The Blueprint' by Jay-Z. The production on that album was really great. 'All I Need' was the first song I used for walk-on music in 2002 for my second time ever on stage, so that means a lot to me.
I try to walk on the sunny side of the street.
I almost got kidnapped trying to find a taxi in the street. In Saudi Arabia, it's not normal for a woman to walk in the street alone, and I don't cover my face, so I am an open target.
I can only be in the sun for 15 minutes before burning. I have sunscreen on my face every day. If I'm walking on the sunny side of the street, I'll walk to the shady side. I'm too uncomfortable in the sun.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
Every street has two sides, the shady side and the sunny. When two men shake hands and part, mark which of the two takes the sunny side; he will be the younger man of the two.
California has something which not every place in the world has: It has what I would call a sunny side, and I don't mean just physically, but the sunny side is a future. California's worth saving, to put it bluntly.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
People don't want to hear the same song 12 times in a row on an album.
A lot of times, I walk down the street and listen to people argue, and then I write a song about it.
I guess it was this over-riding feeling I wanted people to get from the album - a kind of positivity. On the one hand it's quite a sad record, but I wanted the songs in essence to be about pulling yourself out of a difficult time. So I thought that the idea of day after a really long, difficult night, would be pretty appropriate... I think the album's about contrasts too - contrasts of emotion - so I thought the comparison was appropriate.
I don't ride the subway. Either I walk, or I take a New York City taxi.
I think when girls hear Beyonce, it makes them move and want to lift their arms up and be strong, be powerful. She puts this energy of positivity out there, which is good for people's souls. I think musicians are kind of like shamans: they're bringing the vibrations of a more spiritual state.
Could a person really make a social contribution through music consciously? I mean, beyond making a person happy to hear the song and more making a social contribution consciously through your music? For me, Stevie Wonder is the paragon of that. And I didn't want to be Stevie Wonder, but I did want to do what he does.
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