A Quote by Jane Siberry
I try to make my music have the quiet spaces of folk, the intimacy, and the energy of rock.
Related Quotes
There are two types of folk music: quiet folk music and loud folk music. I play both.
Sixties folk rock was my original muse and the folk audience-people who listen to music off the beaten track-fostered my career. I definitely don't want to abandon the genre but I also need to make sure I'm Dar Williams first.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
For a knowledge of intimacy, localization in the spaces of our intimacy is more urgent than determination of dates.
When I was a kid, I was interested in folk music. But rock represented power, and I became the best rock guitarist in my school.
Meghdhanush has brought the newer generation close to folk music with their personal touch of rock and they definitely rock at it.
If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.
I don't know about folk music. I play guitar, so there's a feeling I make folk music.
Folk music has been our popular music... There is a myth that youngsters only like heavy metal or rock music, but that's not true.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
Culture dictated from above is the enemy of folk music. Whether it's stuffy classical music or pre-engineered pop where somebody's paid tons of money to make sure that everyone hears this song a certain number of times a day - that feels like the opposite of folk music.
One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.
The way I see it, rock & roll is folk music. Street music. It isn't taught in school. It has to be picked up.
Rock and roll by its nature is sexual. So girls playing rock and roll is saying to the world, "We own our sexuality." I think that pop music is sort of about "you can do what you want to me" kind of energy, while rock and roll is "I'm going to do what I want to you" kind of energy.
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
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