It is much to be wished that one had a post that knew what it was doing again; and lawmakers that knew what they were doing. If I were the Government, I should feel rather ashamed of making regulations one month and unmaking them the next.
I knew that I was not doing anything wrong, and I knew in my mind I was doing the right thing. I knew that the people who were going against me were not going against me for a good purpose. I knew that they were trying to justify their corruption and misgovernance.
Exploration is what you do when you don't know what you're doing. That's what scientists do every day. If a scientist already knew what they were doing, they wouldn't be discovering anything, because they already knew what they were doing.
When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
Mrs Forrester ... sat in state, pretending not to know what cakes were sent up, though she knew, and we knew, and she knew that we knew, and we knew that she knew that we knew, she had been busy all the morning making tea-bread and sponge-cakes.
There was so much on 'Superstar' that we didn't intend. I mean, there were things that we did which were innovative, but some of them were forced on us because we couldn't get anybody to do the show. 'Evita' was much more sophisticated. That doesn't make it better, but it does make it different. We knew what we were doing.
On 'The Spy Who Dumped Me,' it wasn't fear as much as it was feeling overwhelmed because there were so many moving parts. But I felt that I knew what I was doing. And on a movie like this, there's so much preparation that goes into it that by the time you were there, you had done months of planning.
There were those emotions down there, and though she couldn't quite feel them, they were strong and she feared them. It was like watching a thunderhead from high up in a plane, and though you weren't under it, you knew how it would feel if you were. You knew you'd have to land eventually.
I knew Tim Pastoor. I knew Sherry Ford. I knew many of the individuals who would follow me around. I knew who they were. I knew they had access to my email.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
When we first invested in Colombia, we were buying a lot of coal from Colombia. We were dealing with them daily. I knew their guys at the port, I knew their guys at the mine, I had a feel of the country.
I spent a long time in London on the stage, and you knew exactly what you were going to be doing. You not only knew the performance, but you also knew exactly where you would stand.
I'm supposed to be making comics, so I had to do it the best way I knew how, which is what those guys at the beginning of the Twentieth Century were doing.
He knew what the wind was doing to them, where it was taking them, to all the secret places that were never so secret again in life.
At MGM, you knew you were going to be working next year; you knew you were going to get paid. But I was too ambitious musically to settle for it. And I wanted to gamble with whatever talent I might have had.
When we were making 'Toy Story,' my grandmother was very ill, and she knew she was not going to make it. I went back to visit her, and there was a moment during that visit that I had to say goodbye, and I knew I'd never be seeing her again. I looked at her and knew that I was looking at her for the last time.
I knew what my times were and how my practices were progressing and how close I was to the goals I had set for the year. I swam hard. I always swam hard. If I didn't, I knew I would pay for it either the next day or the next meet.