A Quote by Jane Wiedlin

Badfinger were a great band — © Jane Wiedlin
Badfinger were a great band

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Well, a sort of epiphany: I was in a great band. And it's very cool to be at 53 and realise that when you were a kid you were in a great band.
We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
LCD live was set up to be an argument about what's wrong with bands and why bands should be better. I always thought that we were so obviously not a great band, comically not a great band. I was not a great front man.
What does surprise me, though, is the amount of attention this band [Guns'n'Roses] has garnered 11 years after the original lineup broke up. That's an interesting phenomenon. It was even interesting back in the day. I mean, [we were] this glorified garage band. It was a great band, but it was not the kind of band you expected to become what it has.
The band 'The Tragically Hip'. They're super well known in Canada, not so much in the U.S. They're a great band and when we were growing up we listened to them all the time, They're icons in Canada.
Lilith Fair was a great experience for us the first time we played it. We were... not a new band, but a new band as far as mainstream kind of airplay or success.
Every good band in the world was a cover band first. The Beatles were and the Stones were. Everybody was a cover band.
One overlooked great 1980s rock n' roll band, maybe punk rock - they were on SST Records, same label as Black Flag - is this band called the Leaving Trains.
Power is the thing that holds a band of perception together, and a band of perception is life for those who perceive in that band. If the band of perception were to go away, they would not exist.
I said that the only way I could have a band that would work in the format of my show is if the band were crap. So if I have a band they'd have to really suck.
When you have four guys in a room writing songs, it different. It's great - that's what makes a band a band. Audioslave was great.
The Ruts were a great punk rock band from England whose songs were as excellent as their time together was short.
I think Badfinger was the epitome of that type of music before the power pop term was coined. 'No Matter What" is always gonna be a great song on the radio. There?s probably two or three others off their records that are as cool like 'Day After Day'.
The Animals were their own worst enemy. The Animals were a band that couldn't live up to their name. I was the singer in the band and as long as I was enjoying myself I would keep on working with the band. But it got to be rather nasty once the big money showed up - things started to turn toxic.
The Animals were their own worst enemy. The Animals were a band that couldnt live up to their name. I was the singer in the band and as long as I was enjoying myself I would keep on working with the band. But it got to be rather nasty once the big money showed up - things started to turn toxic.
I finally got to junior high and I got to start saxophone. There were a few of us that were in the beginner band in sixth grade that made it to the advanced band, which was called the morning band at our junior high school in Staten Island.
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