A Quote by Jane Wiedlin
Sometimes I would write something that was so private, people would say, 'Make it more universal.' I never liked that idea. I always thought the more personal a song was, the more people would want to hear it.
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We hope that there will be nothing that conflicts with anybody's religion or faith. We would never say a person's religion is not effective. We say, 'Would you be interested in something more effective?' We always put things in an optimistic, progressive perspective. 'Do you want to make your prayers more effective? Not that they are not effective, but do you want to help them become more effective?'
['Fire and Rain'] is sort of almost uncomfortably close. Almost confessional. The reason I could write a song like that at that point, and probably couldn't now, is that I didn't have any sense that anyone would hear it. I started writing the song while I was in London...and I was totally unknown.... So I assumed that they would never be heard. I could just write or say anything I wanted. Now I'm very aware, and I have to deal with my stage fright and my anxiety about people examining or judging it. The idea that people will pass judgment on it is not a useful thought.
If I had my life to live over, I would try to make more mistakes. I would relax. I would be sillier than I have been this trip. I know of very few things that I would take seriously. I would be less hygienic. I would go more places. I would climb more mountains and swim more rivers. I would eat more ice cream and less spinach. I would have more actual troubles and fewer imaginary troubles.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
A biopic would have required hiring an actor, and I always wanted to just let Bobby be Bobby. My thought was it would make it a more universal story to focus on ordinary people rather than this extraordinary man.
I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
With the project where I'm making something with my own name, my main mission statement is honesty. I never want to hold back from what I'm saying for fear of showing it to people. At the same time, I try to take my own personal experiences and problems and wrap them around lyrics that are a little more universal and not naming names. I don't let it get that personal. That's not really a fear of over-sharing, it's just what makes a good song. I want to get people to listen to it and to find a universal aspect of what I'm trying to say.
Since the market tends to go in the opposite direction of what the majority of people think, I would say 95% of all these people you hear on TV shows are giving you their personal opinion. And personal opinions are almost always worthless … facts and markets are far more reliable.
When we get together and rehearse, which is always living with each other, we always talk about what would make it better, what would mean more, what would say more. So we're always improving and growing.
I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.
I would have liked to do more big movies. And the reason I say that is not because I want to be a star, but what I would have liked to have done is reached a different audience with my work.
I would say it would be worth it if, in fact, it would - if you could demonstrate that that would be the case and that the results and ramifications around the world wouldn't lead to more problems and more people dying. It's a very complex issue, and that's why I think we need to decide it.
Sometimes I would write while inspired and sometimes I would write through sheer force of will, and in revision the writing that I thought was "dead" very frequently turned out to be better because it was more free of ego.
I would push for more production and Steve Miller would say, "Why do you want to have more production when you have real songs? You don't want to cover up the song."
You can say that all you want, but even in the little time that I've been in this industry, I've learned that it isn't exactly what you expect, so you've got to have a level head. I thought people would dig it. I thought people would enjoy it. It's AMC. I thought people would be fans. But, I did not think we would be the best new show on television.
I never thought I would write the way that I write for the studios now, which is like, not little novels, but be someone who literally is more like, you know, sometimes I guess we describe, we're more Salieri than Mozart.
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