A Quote by Jane Wiedlin

I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.
Here is something that Peach, one of the Casserole Queens, says about men and women and love. You know that scene in Romeo and Juliet, where Romeo is standing on the ground looking longingly at Juliet on the balcony above him? One of the most romantic moments in all of literary history? Peach says there's no way that Romeo was standing down there to profess his undying devotion. The truth, Peach says, is that Romeo was just trying to look up Juliet's skirt.
[The lyrics and melody] usually come a little simultaneously, but I would say the lyrics are first; usually I have the idea for a story in my head, or few lines.
Suddenly, this romantic agony was enriched by a less romantic one: I had to go to the bathroom. Needless to say, I couldn't let her know about this urge, for great lovers never did such things. The answer to "Romeo Romeo, wherefore art thou, Romeo?" was not "In the men's room, Julie.
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift - I had to do it. That's how I ended up writing a parallel story to Romeo and Juliet.
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
I don't have a favourite romantic scene, but I enjoy romantic movies like 'Ghost' and 'Music and Lyrics.'
When I was 16 years old, I joined a drama group called North Queensland Academy of Dramatic Art under a woman called Maggie Shephard-King. She inspired me to audition for the role of Romeo in 'Romeo and Juliet.'
When I started dating I had this kind of Romeo and Juliet, fateful romantic idea about love which was almost that you were a victim and there was a lot of pain involved and that was how it should be.
'Romeo And Juliet' is the classic love story. When two lovers are separated and trying to get back to one another, that's fiercely romantic and something you become glued to.
It turned out so well because it was the first album that I could identify with in terms of lyrics. ("Captain Fantastic") It was passionate...I could associate myself with every song...It's a unique album in our history. This was the story of us..."Curtains", the lyrics to that are so beautiful because it sums up our friendship so much, and our relationship.
I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
I generally have lyrics first, but you can't help that when you're writing lyrics you start to get a melody in your head. So they come kind of simultaneously.
Do I start with the lyrics? No. Quite honestly, it's the opposite. I generally get the melody first - I kinda fiddle around on the guitar and work out a melody. The lyrics are there to flesh out the tone of the music. I've tried before to do things the other way around, but it never seems to work. Obviously, I spend a lot of time on my lyrics, I take them very seriously, but they're kinda secondary. Well, equal, maybe. I think sometimes that if you write a poem, it should remain as just a poem, just... words.
I always write lyrics first and the rhythm and the melody come from the lyrics. It always comes from the lyrics: words have rhythm and words have melody.
I've always felt that the game itself is pretty much a melody and I am there to provide the lyrics. You want the lyrics to match the melody, because if you are composing a song or recording a song, it's cacophonous if they don't match.
When I was 10, my school did Romeo and Juliet. I was Juliet, and that was, like, the biggest deal ever. I was completely obsessed with the role.
This site uses cookies to ensure you get the best experience. More info...
Got it!