A Quote by Jane Yolen
The main plot line is simple: Getting your character to the foot of the tree, getting him up the tree, and then figuring out how to get him down again.
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But it can also happen, if will and grace are joined, that as I contemplate the tree I am drawn into a relation, and the tree ceases to be an It. . . . Does the tree then have consciousness, similar to our own? I have no experience of that. But thinking that you have brought this off in your own case, must you again divide the indivisible? What I encounter is neither the soul of a tree nor a dryad, but the tree itself.
The writer's job is to get the main character up a tree, and then once they are up there, throw rocks at them.
Lemurs are extraordinarily leapers. I mean they are just really going from tree to tree and then if there is not a tree, they just come down to the ground very gracefully. But it is the music that makes them seem to be dancing. They are basically getting from one place to another and that's just natural for them. They are just natural acrobatic dancers, just the way they move. It's beautiful!
How much I can learn from a tree! The tree is my church, the tree is my temple, the tree is my mantra, the tree is my poem and my prayer.
But this tree in the yard-this tree that men chopped down...this tree that they built a bonfire around, trying to burn up it's stump-this tree lived! It lived! And nothing could destroy it.
I am sitting with a philosopher in the garden; he says again and again 'I know that that’s a tree', pointing to a tree that is near us. Someone else arrives and hears this, and I tell him: 'This fellow isn’t insane. We are only doing philosophy.
Do you know that even when you look at a tree and say, `That is an oak tree', or `that is a banyan tree', the naming of the tree, which is botanical knowledge, has so conditioned your mind that the word comes between you and actually seeing the tree? To come in contact with the tree you have to put your hand on it and the word will not help you to touch it.
Its, the gum tree, main appeal to me has been its combination of mightiness and delicacy - mighty in its strength of limb and delicate in the colouring of its covering. Then it has distinctive qualities; in fact I know of no other tree which is more decorative, both as regards the flow of its limbs and the patterns the bark makes on its main trunk. In all its stages the gum tree is extremely beautiful.
I have heard about a patient - the psychiatrist was bored with him. Of course, he was getting enough money out of him, but he was getting bored by and by - three, four, five years of psychoanalysis, and the man was repeating the same again and again and again. The psychiatrist said, 'Do one thing: go to the mountains for a few days. That will be very helpful.'
Never love a wild thing, Mr. Bell,’ Holly advised him. ‘That was Doc’s mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can’t give your heart to a wild thing; the more you do, the stronger they get. Until they’re strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That’s how you’ll end up Mr. Bell. If you let yourself love a wild thing. You’ll end up looking at the sky.
Do anything but love; or if thou lovest and art a woman, hide thy love from him whom thou dost worship; never let him know how dear he is; flit like a bird before him; lead him from tree to tree, from flower to flower; but be not won, or thou wilt, like that bird, when caught and caged, be left to pine neglected and perish in forgetfulness.
Do you say that tree isn't pretty cause it doesn't look like that tree? We're all trees. You're a tree. I'm a tree. You've got to love your body, Eve. You've got to love your tree. Love your tree. (Leah)
Christians, of all people, should not be destroyers. We should treat nature with an overwhelming respect. We may cut down a tree to build a house, or to make a fire to keep the family warm. But we should not cut down the tree just to cut down the tree. We may, if necessary, bark the cork tree in order to have the use of the bark. But what we should not do is to bark the tree simply for the sake of doing so, and let it dry and stand there a dead skeleton in the wind. To do so is not to treat the tree with integrity.
I don't get tired. I get beat up. You keep chopping on a tree, you need to give the tree some rest so the chlorophyll will fill back up and the tree gets its energy back.
A little kid asks my dad why that man is chopping down the tree. Dad: He's not chopping it down. He's saving it. Those branches were long dead from disease. All plants are like that. By cutting off the damage you make it possible for the tree to grow again. You watch - by the end of summer, this tree will be the strongest on the block.
...Zedar was gone...As an owl, though, I was able to drift silently from tree to tree until I caught up with him...He wasn't really hard to follow, since he'd conjured up a dim, greenish light to see by --and to hold off the boogiemen. Did I ever tell you that Zedar's afraid of the dark? That adds another dimension to his present situation, doesn't it? He was bundled to the ears in furs, and he was muttering to himself as he floundered along through the snow. Zedar talks to himself a lot. He always has. ...I drifted to a nearby tree and watched him --owlishly. Sorry. I couldn't resist that.
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