A Quote by Janeane Garofalo

I would say just in general, in life, I'm more willing to be animated as a person, and so obviously onstage as well. — © Janeane Garofalo
I would say just in general, in life, I'm more willing to be animated as a person, and so obviously onstage as well.
I will say that, I, being a Jew, experience unease before I go onstage; and after I go onstage, and in general. But luckily the forty-five minutes to an hour that I'm onstage I usually forget everything else and I just press play.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
People ask, like, 'How are you going to incorporate what you do onstage into everything else?' I'm not too worried about that. Whether it's theater or a TV show idea, or an animated thing or, I don't know, an animated screensaver. I really just want to keep creating things. And I've always been able to do that.
I'm not a person who I ever thought would do well with divorce. Not that it can't happen. I just didn't want that. So I waited a long time to meet the right person. Then I finally met someone that I was willing to be divorced from.
Whenever an obviously well founded statement is made in England by a person specially well acquainted with the facts, that unlucky person is instantly and frantically contradicted by all the people who obviously know nothing about it.
When a dancer comes onstage, he is not just a blank slate that the choreographer has written on. Behind him he has all the decisions he has made in life. Each time, he has chosen, and in what he is onstage, you see the result of those choices. You are looking at the person he is, and the person who, at this point, he cannot help but be Exceptional dancers, in my experience, are also exceptional people, people with an attitude toward life, a kind of quest, and an internal quality. They know who they are, and they show this to you, willingly.
Sometimes you're just interviewing someone and you're thinking the entire time, How can I get through this really quickly? Because I know this isn't gonna make it. This person is either too long-winded or deathly boring, or they don't have the point of view that supports what you're trying to do in the piece. Or often people misrepresent themselves on the phone - what they're willing to say to you then, they're not willing to say in person.
I should say in general the advantage of education is to better fit a man for life's work. I would advise young men to take a college course, as a rule, but think some are just as well off with a thorough business training.
One would hope, as well that intimacy would leave more of a mark, that more of it would remain. But it doesn’t. You just end up thinking, who is this person?
Otis and I go way back to NXT and we've been friends since NXT, so it's very nice to know the person pretty well. You feel comfortable and I think it comes off more natural on TV as well, which is cool. He's obviously just so funny.
Grief is like a moving river, so that's what I mean by it's always changing. It's a strange thing to say because I'm at heart an optimistic person, but I would say in some ways it just gets worse. It's just that the more time that passes, the more you miss someone.
Let me just say that anything that I say about what's going on at Justice is pure speculation. Obviously, you know, I'm just going based on my experience as the attorney general, but, yeah, surprised because typically you don't talk about investigations. And it kind of surprised me that that letter went out, and I suppose that the reason for it is because we're in the middle of a presidential campaign. But nonetheless, I think it would be contrary to typical protocol.
We have got so many regulatory laws already that in general I feel that we would be just as well off if we didn't have any more.
Success: The successful person is willing to do what the unsuccessful person is not willing to do. Draw a profile of success in whatever you are choosing to improve. If you are willing to do what that profile demands, then you have a credible demand of success. If you are not willing to do that then it just will not be there for you. You can't have the one without the other.
I feel like I'm still discovering my stage style, but I love - well, I'm not a huge color person onstage, but I am in real life.
It's easy to be silly in real life, but making stuff up onstage, that seemed hard. Better to be the funny person off-the-cuff in the room than to risk being unfunny onstage.
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