A Quote by Janeane Garofalo

Tina Fey is part of a generation of women who have changed the face of comedy at 'Second City,' 'SNL,' in sitcoms and in film. — © Janeane Garofalo
Tina Fey is part of a generation of women who have changed the face of comedy at 'Second City,' 'SNL,' in sitcoms and in film.
I had not met Tina Fey before I auditioned for '30 Rock'. Some people think we're old friends from 'Second City' days. I had always been a fan of Tina's. But I actually never planned on being in a sitcom.
Roseanne was a huge groundbreaking comedian. Margaret Cho. Ellen DeGeneres, and then on 'Saturday Night Live,' the era of Tina Fey and Amy Poehler sort of helped to bring in an awareness of a new generation of women comedians, often women who were feminist in their comedy, who were unafraid - and this came from the genre of show that was emerging.
I love a lot of comedy actors and actresses like Kristen Wiig and Tina Fey and all those women who are really brilliant and funny.
I hired Tina Fey for 'SNL,' which was certainly a good match. She took off right away there.
When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.
I think 'Saturday Night Live', starting in the 1970s, really gave women an outlet to be funny. A lot of those women went on to have film careers, from Kristen Wiig now to Tina Fey and Gilda Radner.
I think women have always been funny. But when Tina Fey became head writer at 'Saturday Night Live,' the culture shifted, and women gained a bigger voice in comedy. It's not as if Hollywood producers are feminists. It's more that Hollywood said, ''Bridesmaids' made us so much money, all we want now is funny women.'
Steve Carell and Tina Fey are a match made in comedy heaven. They're perfect.
I had not met Tina Fey before I auditioned for 30 Rock. Some people think were old friends from Second City days. I had always been a fan of Tinas. But I actually never planned on being in a sitcom.
I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.
I am constantly amazed by Tina Fey. And I am Tina Fey.
At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her.
I want to be host of 'SNL.' I want to work with Steven Spielberg, Leonardo DiCaprio, J.J. Abrams, Emma Stone and Tim Burton, Sean Penn, Cameron Crowe. I want to work with Adam Sandler - he is so funny - and Tina Fey and Amy Poehler.
I really like funny women. I'm drawn to women like Tina Fey and Amy Poehler and Kristen Wiig, Amy Schumer. They're writers, they're producers, they're actresses. They're brilliant, funny, excellent women.
Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss; Liz Lemon just works here.
We have so many great memoirs from women in front of the camera, from Tina Fey, Mindy Kaling, Amy Poehler, and Amy Schumer.
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