A Quote by Janelle Monae
I'm always thinking about that young girl or young boy who doesn't quite know if their music, their messaging, their imaging, their voice is going to pop, if people are going to understand them. So I represent the other and those who feel like they don't even want to be normal. They embrace the things that make them unique.
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If you're going to have a kid who engages in critical thinking, you're not going to shut them down when they ask a question. You're not going to settle for "because." You're going to encourage them to ask more. And you want them to understand how other people think.
I listen to music very intensely as well: When I listen to an artist I really love, I feel like I know them. I feel like I understand what they're thinking about, even though I've never met them or talked to them.
Like a lot of young women, I went through an entire period where I hated female characters - I didn't want to read about them! I thought I was going to be the cool girl who was not like other girls.
I totally expect there to be some young girl or boy sat at home thinking 'I want to be like Kadeena Cox,' and then going on to better everything I've done.
You don't know who you will fall in love with. You just don't. You don't control it. Some people have certain things, like, 'That's what I'm going for,' and I have a subjective version of that. I don't pressure myself … If you fall in love with someone, you want to own them - but really, why would you want that? You want them to be what you love. I'm much too young to even have an answer for that question.
The younger generation forms a country of its own. It has no geographical boundaries. I've talked with young Hungarians in Budapest, with young Italians in Rome, with young Frenchmen in Paris, and with young people all over. ... These young people are going to do things. They are going to change things.
When you're younger you have a lot of ideas and you're probably more insecure, all those things. I work with young actors now and I see their insecurities and I make fun of them. I don't make fun of them but I make them laugh, because I know what they're going through. When you get older you think 'It's only a movie after all, it's not brain surgery.'
There are going to be stories of very young kids that were brought to this country at a very young age who don't even speak Spanish that are going to be sent back to Nicaragua or some other place. And it's gonna feel weird and I understand that. The goal here is to have an immigration policy that works. And if you provide a path for people to enter this country illegally and if they stay here long enough and pay enough in taxes, well let them stay legally...why would anyone come in through the legal process?
I may not know the weight of those things, but I could feel the weight of that one, so I kept it to myself. You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you. I suppose it's why you feel so far away from everyone, in the end; anything you can think of to tell them just ends up making them feel terrible.
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
Those young ones who want to try military jihad are facing a triple issue. First of all, they are missing the point when it comes to understanding what there is at stake from a political viewpoint. How come so many of them are going to Syria and so few to Palestine, even though, when it comes to symbolism, Palestine definitively wins.Then, it is essential to understand that it is not a religious matter. Finally, let's not forget about the recruiters behind their screens. Those ones are quite skillful and well-supported financially.
It's always been important to me to be very upfront with people about the fact that I do identify as a feminist because it's an opportunity to expose people to and educated them about the movement. Young women don't identify as feminist is because they don't know any feminists and don't have a comprehensive understanding of what it is, I gave them example and an opportunity to ask about it. And once they saw that I wasn't the embodiment of the negative feminist stereotype - that I was a normal teen girl just like them - I think they became more open to learning about what feminism really is.
Like my little sister and brother, I always play them my music because I want people like them to be able to relate to my music. They always know what's going on; they're up on what's new. For me, when they hear my music and they like it, I'm on the right track.
I'm always thinking about young people first when I'm writing music. Whenever I can reach that young person and inspire them to go after their own dreams, start their own movement just like I did with Wondaland. Starting their own tribe and showing people that we are not all the same, we're not all monolithic. I think that's what it's all about for me.
Music is very powerful and can make you feel whatever it is. If you listen to gospel, you're going to feel thankful, and you're going to want to call up people that you hate and tell them that you love them. When you listen to sexual music, it gets you in the mood.
You always want to make sure that your work can touch as many people as possible. Whether it's young guys, young girls, you never know where it's going.
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