A Quote by Janet Evanovich
By about the sixth romance I knew I wasn't in exactly the right place. I liked writing action. And I wanted to write a book with a little more edge than I was allowed in romance.
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And I wanted to do a movie [Moonrise Kingdom] about a childhood romance - a very powerful experience of childhood romance. About what it's like to just be blindsided, when you're in fifth grade or sixth grade, by these kinds of feelings. Along the way, I sort of mixed in some interest in "young adult fantasy" writing.
Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.
When I was young, I liked romance. But to me, romance is the opposite of domestic life. I just don't want anyone in the apartment, not for longer than a few hours.
My final historical romance came out December 2005. While I enjoyed writing medieval romances, I was also dying to write something with more edge.
I always wanted to write a book. Not a romance novel. Maybe a crime thriller. Something with action. Maybe that will happen some day.
The history of the Bible text is a romance of literature, though it is a romance of which the consequences are of vital import; and thanks to the succession of discoveries which have been made of late years, we know more about it than of the history of any other ancient book in the world.
There's a horrible stereotype of both the romance writer and the romance reader as somehow undereducated and unprofessional, when in fact there are a number of incredibly well-educated professional women who have chosen to leave their other careers and go into writing romance.
I've had mainstream readers complain that the book is really a romance, and romance readers complain that the book isn't a romance - with the same book! It really depends on the individual reader's expectations going into the story, and that's very hard to predict person to person.
I don't write the same book over and over - I think if I did that, I would stop writing. I couldn't write a series with the same character, and I couldn't write a romance novel over and over again that takes place at a different beach every year. That's not who I am.
It's interesting because when David Fincher was making "Fight Club," he said, "It's a romance." And it really is. Almost everything I ever write is just a romance. And that needed to be sort of pointed up at the end of "Fight Club." The film has a very different ending than the book does.
More than just romantic comedy, I like romances: drama romance, romance comedy, comedy romance. I also go to the movies to escape. There are times when you go to learn, when you go to be moved, you go to be transported, and there are really times when you go to escape. And I personally escape more happily into a romance than I do violent movies.
I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.
I can't seem to help writing love stories. I definitely crave romance. When I was young, I craved romance in books, but I didn't want to read just romance - love plays such a big part in our lives, it shouldn't be cut out and restricted to its own fiction.
If you write chick lit, and if you're a New Yorker, and if your book becomes the topic of pop-culture fascination, the paper might make dismissive and ignorant mention of your book. If you write romance, forget about it. You'll be lucky if they spell your name right on the bestseller list.
More important than having a romance with the object that I'm drawing, is to have a romance with the mark that I am making.
I actually worked in the general market for many years writing steamy historical romance, and I had more freedom in the Christian market than I ever did in the general market to write about any issue that I needed to write about.
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