A Quote by Janet Evanovich

I'm so busy writing and editing two books a year that I don't have time for painting anymore. — © Janet Evanovich
I'm so busy writing and editing two books a year that I don't have time for painting anymore.
You must stop editing--or you'll never finish anything. Begin with a time-management decision that indicates when the editing is to be finished: the deadline from which you construct your revisionary agenda. Ask yourself, 'How much editing time is this project worth?' Then allow yourself that time. If it's a 1,000-word newspaper article, it's worth editing for an hour or two. Allow yourself no more. Do all the editing you want, but decide that the article will go out at the end of the allotted time, in the form it then possesses.
When you're writing two books a year, you really need some time off and don't want to use that down time for touring. I do like talking with readers, though; they can tell you important stuff.
I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print
I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
I teach classes 28 weeks of the year, but the rest of the time I do research and write books. While I'm writing a book, which I probably do two out of every three years, it's like having a second job. I squeeze in the hours when I can.
There are plenty of paths to becoming a writer, but I think the most reliable ones involve total commitment: writing for magazines and newspapers, teaching writing, editing books, representing authors.
I only did about one novel a year while I was working full time, but since 1993, I've averaged two and a half books a year.
Writing is so... I don't know, it's such a practice, and I feel very unpracticed in it, because I'm not doing it every day. And I really need to do it every day. In other words, you spend all this time writing a movie, and then you stop, and then you're shooting the movie, and then you're cutting, and a year and a half goes by, because in the editing room, you're not writing.
When I was a kid in year one and year two, I had troubles with reading and writing, and my mum took me to St. Vinnies and we bought this big box of second-hand books, and she worked with me to turn that weakness around, you know.
My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.
Your job as an executive is to edit, not write. It's OK to write once in a while but if you do it often there's a fundamental problem with the team. Every time you do something ask if you're writing or editing and get in the mode of editing.
Some people are going to be impatient no matter what. If I wrote two books a year, someone out there would be pissed I wasn't writing three.
With two books a year, I don't have time for writer's block.
We have a really aggressive travel schedule at 'Expedition Unknown.' We spend a lot of time out of the country and we spend most of the time that we are back either preparing for the next expedition or writing, editing and getting shows ready to air. It really is a year-round lifestyle.
We are usually very busy towards the end of the year, so I know that whenever we get super busy, it must be a sign that the year is ending.
This site uses cookies to ensure you get the best experience. More info...
Got it!