A Quote by Janet Evanovich

Since I write in first person and have no idea what goes on in men's heads. — © Janet Evanovich
Since I write in first person and have no idea what goes on in men's heads.
The idea of being strong for someone else having never entered their heads, I find myself in the position of having to console them. Since I'm the person going in to be slaughtered, this is somewhat annoying.
I know exactly what I want to write. I do not write until I do. Usually I write it all down only once. And that goes relatively quickly, since it really depends only on how fast I type.
Buddha introduced the idea that young people should become sannyasins. Then it is something significant. When a young person goes beyond sex, when a young person goes beyond desires, when a young person goes beyond greed, ambition, the longing to be powerful, the ambition to be famous, then it is something tremendously meaningful, significant.
We all fall in love with the idea of a person, and then as time goes on we either accommodate ourselves to the real person or we don't.
When someone asks me about violence, I just find it incredible, because what it means is that the person who’s asking that question has absolutely no idea what black people have gone through, what black people have experienced in this country, since the time the first black person was kidnapped from the shores of Africa.
Wanted to write fiction since I was 11, since I first read 'In Our Time' by Hemingway.
I try to write in the first person - the first person not of a journalist but of a carnivore, an eater, a gardener, someone trying to figure out what to feed his family.
I'm interested in that way we perceive things, and that was part of what I was getting into in painting - the idea of perception and how information goes through our heads and it comes out another way.
My introduction to the Brady book was an attempt to nail the exact same idea since Brady addressed the point. And since I write pornography, naturally, something of an obsession for me.
The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
We're all physical bodies, but basically everything we do is determined by what goes on in our heads. The only person who ever stops me from achieving something is me.
I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.
Talk lives in a man’s head, but sometimes it is very lonely because in the heads of many men there is nothing to keep it company - and so talk goes out through the lips.
All of the narration in 'Smile' is first-person. Most of the books that I grew up reading had first-person narrators for some reason. My diaries were written in this voice, and since this story is autobiographical, it just felt like a natural extension.
That, they never could lay their heads upon their pillows; that, they never could tolerate the idea of their wives laying their heads upon their pillows; that, they never could endure the notion of their children laying their heads upon their pillows; in short, that there never more could be, for them or theirs, any laying of heads upon pillows at all, unless the prisoner's head was taken off.
You just can't win. Men have very recent land mines in their heads. Women have recorded conversations and photographs in their heads from 15 years ago.
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