A Quote by Janet Fitch

I felt beautiful but also interrupted. I wasn't used to being so complicated. — © Janet Fitch
I felt beautiful but also interrupted. I wasn't used to being so complicated.
I used to rarely go on film sets, as I felt it was very boring to see the same shot being done so many times. I felt I had nothing to do. I used to irritate the cameramen.
I wish my nose was smaller and that I was a little taller. I also had this perennial pimple problem, so I felt people were just being polite when they said I was beautiful.
A work of art enters life very much like another human being - complicated, loaded with overtones and meaning, mysterious, enticing, obsessive, and beautiful. There's no way to control how it will be used, how it will be read, and that's part of the excitement of it.
I am used to being beautiful. I have been beautiful for so long that it is an essential part of me. I would not be the same spiritually if I had not been beautiful.
I adore tradition. I cannot stand habit. Simply to repeat is nothing, also to destroy is nothing. Tradition is never interrupted, we are always evolving but never interrupted.
The muscles that are used in Ballet Beautiful are similar to those used in classic ballet. They're also muscles that don't get used very often, which is why it burns so much.
I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way. I feel like there's this great fullness to being alone, and writing is a really vivid way and a really magical way of being alone.
This time I read the title of the painting: Girl Interrupted at Her Music. Interrupted at her music: as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that?
To be existing at all is beautiful simply because of how complicated and unexplainable being alive really is.
Growing up in the suburbs, the worst part was definitely being black. The best part was maybe also being black. Just having that perspective, being on the outside while also being on the inside. That's kind of how I've felt my whole life.
For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me. If it was sad, the tone of mind which this induced was also sweet. Whatever it might be, my soul acquiesced in it.
Being a conservative also used to involve the concept of people being free to do whatever they want to do, as long as it doesn't hurt somebody else. Conservatives used to be very libertarian.
It can be a work by Mondrian, a piece of music by Schönberg or Mozart, a painting by Leonardo, Barnett Newman or also Jackson Pollock. That's beautiful to me. But also nature. A person can be beautiful as well. And beauty is also defined as 'untouched'. Indeed, that's an ideal: that we humans are untouched and therefore beautiful.
When I was younger I used to lock myself in the bathroom and read in the dry tub. I was also a fan of the 'shoe closet.' Reading felt thrilling and illicit and deeply private to me, and I felt vulnerable doing it in public.
Everything about us black people is complicated, us being here, being a minority, being a woman, all those things are complicated.
He came, not as a flash of light or as an unapproachable conqueror, but as one whose first cries were heard by a peasant girl and a sleepy carpenter. God tapped humanity on its collective shoulder, "Pardon me," he said, and eternity interrupted time, divinity interrupted carnality, and heaven interrupted the earth in the form of a baby. Christianity was born in one big heavenly interruption.
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