A Quote by Janet Fitch
...The men eyed her with the automatic mix of curiosity, lust, and aesthetic judgment they always gave young women, subject to object, the way you'd stare at an animal. She pretended not to notice. To remind them she was a person was too much effort. Objects bore no guilt.
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When objects are presented within the context of art (and until recently objects always have been used) they are as eligible for aesthetic consideration as are any objects in the world, and an aesthetic consideration of an object existing in the realm of art means that the object's existence or functioning in an art context is irrelevant to the aesthetic judgment.
Staring Girl I once knew a girl who would just stand there and stare. At anyone or anything, she seemed not to care She'd stare at the ground, She'd stare at the sky. She'd stare at you for hours, and you'd never know why. But after winning the local staring contest, she finally gave her eyes a well-deserved rest.
She always had a headache, or it was too hot, always, or she pretended to be asleep, or she had her period again, her period, always her period. So much so that Dr. Urbino had dared to say in class, only for the relief of unburdening himself without confession, that after ten years of marriage women had their periods as often as threes times a week.
The difficulty will be to keep her from learning too fast and too much. She is always sitting with her little nose burrowing into books. She doesn't read them, Miss Minchin; she gobbles them up as if she were a little wolf instead of a little girl. She is always starving for new books to gobble, and she wants grown-up books--great, big, fat ones--French and German as well as English--history and biography and poets, and all sorts of things. Drag her away from her books when she reads too much.
Unlike me, Renee was not shy; she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
Daphne is the eldest of the Bridgerton daughters, so she is the first to make her debut on the marriage mart and she's waited her whole life for this moment. When we meet her, she conforms to the social pressures placed on young women at the time but as she evolves, she very much finds her voice.
She had, without realizing it at the time, learned to follow Nick's gaze, learned to learn his lust...his desires remained memorized within her. She looked at the attractive women he would look at...She had become him: she longed for these women. But she was also herself, and so she despised them. She lusted after them, but she also wanted to beat them up. A rapist. She had become a rapist, driving to work in a car.
Staring at him the way she might stare at a beloved place she was not sure she would ever see again, trying to commit the details to memory, to paint them on the backs of her eyelids that she might see it when she shut her eyes to sleep.
She raised her eyebrows in a look that she hoped conveyed how much she was all right with him leaving her. After all, he was a prince. The most powerful men and women on Earth had summoned him. She understood. And yet he was still here, with her. "I'm fine," she said. "Go away.
Whenever we say a person's name, notice whether we have stated more than a fact. For example, the judgment, 'She's thoughtless' goes beyond the facts 'She said she'd call me and she didn't.'
Whenever we say a person's name, notice whether we have stated more than a fact. For example, the judgment, 'She's thoughtless' goes beyond the facts 'She said she'd call me and she didn't.
If women had power, what would men be but women who can't bear children? And what would women be but men who can?" "Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?" "A queen's only a she-king," said Ged. She snorted. "I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.
A woman has all too much substance in a man's eyes at the best of times. That is why men like women to be slim. Her lack of flesh negates her. The less of her there is, the less notice he need take of her. The more like a male she appears to be, the safer he feels.
There were a lot of pretty women in cinema around Audrey Hepburn's time, but she stood out because she had a very interesting personality - which went beyond her looks. She did so much for women, for animal rights, for children's education - it's always the personality that comes through and makes one seem beautiful.
. . . She was obsessed with clothes and status, how she never gave a thought to being responsible for her own actions, or even what she might do for anyone else-making her the ultimate example of all that was wrong and misguided about young women today.
Her curiosity was too much for her. She felt almost as if she could hear the books whispering on the other side of the half-open door. They were promising her a thousand unknown stories, a thousand doors into worlds she had never seen before.
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