A Quote by Janet Fitch
And I realized as I walked through the neighborhood how each house could contain a completely different reality. In a single block, there could be fifty seperate worlds. Nobody ever really knew what was going on just next door.
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I just love how everyone with that Motown sound seemed to come from a two-block radius from the actual original location. The original location was a house, and then when they outgrew it, they bought the house next door and the house next door and the house next door until they had seven houses on the same lot.
I know people who have suffered writer's block, and I don't think I've ever had it. A friend of mine, for three years he couldn't write. And he said that he thought of stories and he knew the stories, could see the stories completely, but he could never find the door. Somehow that first sentence was never there. And without the door, he couldn't do the story. I've never experienced that. But it's a chilling thought.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
I tell young people that people aren't just going to flock to you as your mentors. You have to seek them out. It could be your next-door neighbor; it could be somebody upstairs from you, somebody down the block from you. An aunt or an uncle. Some relative. A parent.
Every character is so different, if you put the photos next to each other, you see how different I looked and how different I tried to be. And that's what I really enjoyed, that I could really be a different character every time.
I wanted to really just understand... how could a whole generation of children who were just children at the time - boys riding their bikes, flying kites, and doing all kinds of things they normally do - how could they suddenly be taught a completely different curriculum?
Nobody ever dared with Frank, because he had such mood swings, and you never knew how he was going to react. But I could tell the minute I saw him that he was going to be in my corner.
You whispered my full name and we fell asleep in each other's arms and I remember how the next morning you were gone, completely gone, and nothing in my bed or the house could have proven otherwise.
I almost wish we were butterflies and liv'd but three summer days - three such days with you I could fill with more delight than fifty common years could ever contain.
I found him perhaps the least terrifying man I've ever met in the theater—because at first glance I could see through him and he could see through me, and he knew that I knew that he knew. Look, love, I've been bullied all my life by bigger experts than Larry Olivier, I can assure you, and he's just got to get in line.
They say that every snowflake is different. If that were true, how could the world go on? How could we ever get up off our knees? How could we ever recover from the wonder of it?
Once I realized, I'm more than just a worker, I could create my own future - because your thoughts are your reality - I realized you don't have to work as hard. You can just sit back, breathe, think about your next move and then think of that next move as if you already accomplished it and everything's gonna come to you.
The way the Beloved can fit in my heart, two thousand lives could fit in this body of mine. One kernel could contain a thousand bushels, and a hundred worlds pass through the eye of the needle.
I just always knew I was going to be a star. I was always going to be rich so I could buy things for Mommy and Daddy, so that I could buy them a big house and we could have things.
I knew [Kurt Cobain] and his daughter. And Courtney [Love] came and stayed at my house. R.E.M. worked on two records in Seattle and Peter Buck lived next door to Kurt and Courtney. So we all knew each other. I reached out to him with that project as an attempt to prevent what was going to happen.
I didn't realize how much the paint was going to affect how I moved and how I walked. And it wasn't something that consciously happened. It was because the first time I'd done it was a Tokyo Dome show, I want to say in 2013-14, and I walked out there, and I was a completely different person.
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