A Quote by Janet Fitch

As a middle-aged woman who has had some luck as a writer, I'd like this profession of author to remain a possibility for young writers in the future - and not become an arena solely for the hobbyist or the well-heeled.
It is very difficult for middle-aged, institutionalised males who have done so well out of subsidy - and, fair play, given much back - to realise that there is a time to be a well-heeled revolutionary.
When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes.
It's kind of true, you do disappear off the planet if you are a middle-aged woman, but that has some advantages as well.
All one's life as a young woman one is on show, a focus of attention, people notice you. You set yourself up to being noticed and admired. And then, not expecting it, you become middle-aged and anonymous.
There are two barriers that often prevent communication between the young and their elders. The first is middle-aged forgetfulness of the fact that they themselves are no longer young. The second is youthful ignorance of the fact that the middle aged are still alive.
It is difficult for a statesman who still has a political future to reveal everything that he knows: and in a profession in which one is a baby at 50 and middle-aged at seventy-five, it is natural that anyone who has not actually been disgraced should feel that he still has a future.
I have become that middle-aged woman who listens to the 'Hamilton' soundtrack in my kitchen.
I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
The digital revolution has wrest a little control away from corporate publishers and white, male, middle-aged critics, but the financial value put on the job of the writer and the misconceptions around that make it extremely difficult to enter the profession.
I am Hollywood's hottest young, middle-aged director, but I'll write out of New York because I don't want to become a salad head. That's what you become out there: a guacamole dip.
I tell you old and young are better than tired middle-aged, nothing is so dead dead-tired, dead every way as middle-aged.
When you're young, your perception of what it means to be a writer is often less about the writing and more about what seems to be the accompanying life: speeches and travel and hanging out with other writers. You think that when you get published, your life will clarify itself to you somehow. But when you don't get published until you're middle-aged you know who you are already, and your life expands to make room for your writing, rather than orbiting around it. You realize that there's no one way to be a writer, and that the job is less of an identity and more of a vocation.
As time goes on we become old, the future contracts, the past expands...But by future we don't just mean the years ahead; we always mean as well the plenitude of possibilities which challenge our creativity...In confrontation with the future we can become young if we accept the future's challenges.
The world is an illusion. Why is it unreal? Because none of the knowledge is going to remain permanent, as real knowledge. I had a number of identities; I was a child, I was a boy, I was a teenager, I was a middle-aged man, I was an old man. Like other identities I thought would remain constant, they never remained so. Finally, I became very old. . . So which identity remained honest with me?
Europe to me is young people trying to appear middle-aged and middle-aged people trying to appear young.
To marry a woman with any success a man must have a total experience of her, he must come to see her and accept her in time as well as in space. Besides coming to love what she is now, he must also come to realize and love equally the baby and the child she once was, and the middle-aged woman and the old lady she will eventually become.
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