A Quote by Janet Frame
Everything is always a story, but the loveliest ones are those that get written and are not torn up and are taken to a friend as payment for listening, for putting a wise keyhole to the ear of my mind
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When I was a kid, I was always going to bed creating a story, and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
When I was a kid, I was always going to bed creating a story and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
One of the things that's attractive about cyberspace is that it can be construed as no threat. If you see it through the video game keyhole, the amusement keyhole, the entertainment keyhole, it is no threat. If you see it through the LSD keyhole, the consciousness-expanding keyhole, it's like electronic drugs: it is a threat.
I have seldom written a story, long or short, that I did not have to write and rewrite. There are single stories of mine that have taken me ten or twelve years to get written.
Why is it we love so fully what has washed up on the beaches
of our hearts, those lost messages, lost friends, the daylight stars
we never get to see? Bad luck never takes a vacation, my friend
once wrote. It lies there among the broken shells and stones
we collect, a story he would say begins with you, with me,
a story that is forever lost among the backwaters of our lives,
our endless fear of ourselves, and our endless need for hope,
a story, perhaps an answer, a word suddenly on wing, the simple
sound of a torn heart, or the unmistakable scent of the morning's fading moon.
There are these sounds that come from outside that work really well if you're listening. If you're not listening, if you're blocking them out, then you don't get it. You don't get the merger of what the players are doing with everything, listening to everything.
It was frustrating that young people, through no fault of their own, were listening to terrible $2 ear buds. You can't get good sound out of those.
For me as a writer, the story has always taken precedence over everything else. I have never sat down to write with broad, sweeping ideas in mind, and certainly never with a specific agenda.
I look like I'm not listening, but I'm actually listening. I like listening to everything, observing everybody, just taking everything in, and then, in my mind, figuring out what's good for me and what's bad for me.
When I was a kid, we went to St. Augustine, Fla., and I was lying on the couch one night with a Q-tip, cleaning my ear out after I'd taken a shower. I hit my arm on something, jabbed the Q-tip through my ear drum, busted my ear drum and couldn't get back in the water the rest of the time we were there.
I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
Any time I've taken the mound, it's always been the old Samson-and-Goliath story written about me.
I often learn more about myself from listening to the life story of a friend than I do reflecting on my own story.
I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.
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