A Quote by Janet Frame
Writing an autobiography, usually thought of as a looking back, can just as well be a looking across or through, with the passing of time giving an X-ray quality to the eye.
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I love looking back at the older fights; they don't make them like they used to. Just watching Tommy Hearns, the technique in his punching, the brilliance and the combinations from the likes of Ray Leonard and 'Sugar' Ray Robinson.
There are so many people who have a training in art history; and if you've spent time looking at old art, you become attuned to what art does through materiality and so you begin to look to that in contemporary art as well. And anyway, I do think that matching one's experience with what you're looking at and questioning what you're looking inevitably involves materiality, just like it involves the sense of place.
It's not like I'm dying to do work that's taken seriously, and I'm not looking to become a thespian. It's not what I'm looking for; I'm just looking to do quality work.
I think-I need to ask an embarrassing question. Do you think I could borrow a pair of scrubs? I-uh-my pants-" "Oh!" Cried the poor nurse. "Yes. Absolutely. I'll be right back." [...] "Thanks," I mumbled. "I'll just change here. He's not looking at anything at the moment." I gestured toward Sam, who was looking convincingly sedated. The nurse vanished through the curtains. Sam eye's flashed open again, distinctly amused. He whispered, "Did you just tell that man you went potty on yourself?" "You.Shut.UP." I hissed back furiously.
This autobiography of mine is a mirror, and I am looking at myself in it all the time. Incidentally I notice the people that pass along at my back - I get glimpses of them in the mirror - and whenever they say or do anything that can help advertise me and flatter me and raise me in my own estimation, I set these things down in my autobiography.
I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.
Let's just say I'm like a ship passing through storms, resting in ports now and then until it's time to continue the journey. I once told a friend, `I'm just looking for an angel with a broken wing - one that couldn't fly away.'
Sometimes I photograph without looking through the viewfinder. I have mastered that well enough, it is almost as if I were looking through it.
My mum passing away wasn't funny, but that funeral and what I went through, the things that happened, looking back at it, there were funny moments. You have to be strong enough to look back at it, to sit and assess the situation.
And then, looking back at my first Olympics, and when the pressure was on, in '94 and '98, and looking back and going, wow. I sensed and felt what Brian had gone through.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
I didn't really know what I was looking at when I first came across Man Ray's 'Dust Breeding,' his photograph of a work by Marcel Duchamp called 'Large Glass.' It looked like an aerial photograph or a view through a microscope.
You think you're looking at things all the time, but you're not looking at things, you're looking at what your brain is interpreting through light and color. And who knows what everybody else sees?
I'm really drawn to West Coast composers and I think it has a little something to do with looking across the Pacific instead of looking across the Atlantic.
It was only when I started making short films in college and I was looking for girls to play the me-ish parts that I thought, Well, maybe I'm just going to try doing this myself before somebody else comes in and handles it. For a long time my acting was just a marriage of convenience between me and these characters that I was writing.
I didn't have a ton of role models back in 1998. So, when I was looking to get in, it was really just looking up at all the men who were out there. When you're not seeing women - when you're breaking into anything - it's like, "Well, this is what the men do and how they act, so we're going to just emulate that behavior."
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