A Quote by Janet Frame
Very often the law of extremity demands an attention to irrelevance.
Related Quotes
The Law requires much, but offers no help in the carrying out of its requirements. The Lord Jesus requires just as much, yea even more (Matt. 5:21-48), but what he requires from us he himself carries out in us. The law makes demands and leaves us helpless to fulfill them; Christ makes demands, but he himself fulfills in us the very demands he makes.
One of the things about being a law student is that the academic discipline of law is very often removed from the practical reality of law. How to complain, who to complain to, and whether or not you even need to invoke the law is very different in the real world from how it's examined in the lecture theatre.
Companies that receive government information demands have to obey the law, but they often have room for maneuver. They scarcely ever use it.
Poetry often enters through the window of irrelevance.
People who don't pay attention to the question of justification are often rather uninteresting, in my opinion. I am most fascinated by characters who struggle with the demands of justification.
The Gospel is temporary, but the law is eternal and is restored precisely through the Gospel. Freedom from the law consists, then, not in the fact that the Christian has nothing more to do with the law, but lies in the fact that the law demands nothing more from the Christian as a condition of salvation. The law can no longer judge and condemn him. Instead he delights in the law of God according to the inner man and yearns for it day and night.
Churchill faced his own diminishing capabilities and increasing irrelevance by maintaining the sense that he was the only one who could solve whatever problem was before him. He was very often wrong, of course, but then he had spent so much of his life overcoming appalling mistakes, disasters, and rejections.
In our show you have to pay attention and know what happened before. I think it's very intelligent entertainment. It makes demands of viewers that a lot of shows don't.
When we multi-task, we are motivated by a desire to be more productive and more efficient. We're often doing things that are automatic, that require very little cognitive processing... Continuous partial attention describes how many of us use our attention today... to pay partial attention - continuously. It is different from multi-tasking.
The problem of the Muslim presence is increasingly worrying. There are more and more clashes, more and more demands. And I doubt the compatibility of Italian law with Muslim law, because it's not just a religion but a law.
The exaggerated dopamine sensitivity of the introvert leads one to believe that when in public, introverts, regardless of its validity, often feel to be the center of (unwanted) attention hence rarely craving attention. Extroverts, on the other hand, seem to never get enough attention. So on the flip side it seems as though the introvert is in a sense very external and the extrovert is in a sense very internal - the introvert constantly feels too much 'outerness' while the extrovert doesn't feel enough 'outerness'.
Theatre is very much concerned with the society, with the social situation... A theatre piece of itself, demands a confrontation with the audience. It demands that you connect with people; it demands a collective and social effort with the company and later with the audience.
A judge who likes every outcome he reaches is very likely a bad judge... stretching for results he prefers rather than those the law demands.
The most striking fault in work by young or beginning novelists, submitted for criticism, is irrelevance--due either to infatuation or indecision. To direct such an author's attention to the imperative of relevance is certainly the most useful--and possibly the only--help that can be given.
Unlike yellow and brown people, the white does not usually believe he can get attention from matter or objects.
...
The white goes further. He often believes he can get attention only from whites and that yellow and brown people's attention is worthless. Thus the yellow and brown races are not very progressive, but, by and large, saner.
If an artwork never gets any attention from anybody, then obviously it's got problems. If it gains attention from a very small elite, then it's presumably doing something. Finnegans Wake gets a lot of attention from certain people who become passionate about it, who are usually very good readers in general. Although - I often talk about costs and benefits - it seems to me the costs of reading Finnegans Wake are not worth the benefits, however many there may be. And it's the same with the more arcane among poets, Zukofsky and so on.
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