A Quote by Janet Hubert

The whole ridiculousness of black Hollywood - there is no black Hollywood. It's every man for himself. — © Janet Hubert
The whole ridiculousness of black Hollywood - there is no black Hollywood. It's every man for himself.
It's great to be black in Hollywood. When a black actor does something, it seems new and different just by virtue of the fact that he's black.
The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.
America has a black president, but there are no black studio heads, and there just aren't that many black people working anywhere on film sets, let alone in positions of power in Hollywood. That's what needs to change.
What does it mean to be too black for Hollywood? It's self-explanatory. Hollywood has certain kinds of blacks that they like.
We're all complaining about diversity in Hollywood, but we've got to address the colorism within the black community of Hollywood first.
It's not often that scripts come across our desks that are written so poetic and so honest from our perspective, as a black man and a black woman in Hollywood.
Until the image of the black man in the mind of the black man has been changed, there will always be delinquency, parental and juvenile. The idea is not to change the attitude of the white man to the black man but to change the attitude of the black man to himself.
I ask everyone - white Hollywood and black Hollywood - to get outside of your comfort zone and make friends. That's where they're going to learn from each other, and that's where they're going to make better movies and make Hollywood a better place.
My father had a great sense of humor. He wasn't only the Man in Black. He said it himself in the song 'Man in Black:' 'Ah, I'd love to wear a rainbow every day.' He was a man of hope.
Comedies in Hollywood is usually the path of least resistance when it comes to being black in Hollywood and putting movies together. They would rather make us laugh than cry, in some respect.
It's very difficult to get any movies done about Black heroes - Haitian or American - in Hollywood. The argument in Hollywood is that there is no market for those movies, and that is not true.
I do want to be a representative of the African community, and I want to hold myself and dress myself in a way that reflects that. I want black kids to see me and think, 'Okay, he's carrying himself as a black man, and that's how a black man should carry himself.'
[Black nationalism] is not designed to make the black man reevaluate the white man--you know him already--but to make the black man re-evaluate himself. Don't change the white man's mind; you can't change his mind. And that whole thing about appealing to the moral conscience of America--America's conscience is bankrupt.
When you're a large black man in Hollywood, the obvious stereotype is one of force and menace.
Until recently, Hollywood offered only a handful of roles to actors of color. The majority of my opportunities have fallen into two categories: Scary Black and Funny Black.
Many times, I get young people asking, 'What do you think about black movies?' And I say, 'What are you talking about? You mean Hollywood movies that have black people in them?' It's gone back to that, and that's not the same thing as a black movie.
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