A Quote by Janet Jackson
Touring is very grueling. It's very taxing on the body and living out of your suitcase, going from city to city, night after night. It's a tough job.
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There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.
Physically touring is tough on me, not that I am weakling. I lose weight. I can't always find the things I need to keep my strength up. It is very draining physically. It is taxing for my mind and body, but in a good way. It feels healthy in a way to purge things out of my system every night.
Right, because they're looking at also organizing the Sunni tribes up around Mosul to take back that city as well. That's the second largest city in Iraq. That's going to be a very, very tough fight. And the Shia militias were not used in Ramadi, and we're told by the Iraqi generals that they don't want any Shia militias up in Mosul, either, to take back that city. So - but again, that's going to be a very, very tough fight.
The great trains howling from track to track all night. The taut and telegraphic murmur of ten thousand city wires, drawn most cruelly against a city sky. The rush of city waters, beneath the city streets. The passionate passing of the night's last El.
In a sense, touring is crazy. You go city to city playing the show over and over again. But there's something magic about being in front of people, so it's not like going through the motions every night. It's a different experience.
'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
I was born in Quebec City, I've lived there many years before moving to Montreal and then Ottawa. And I mean, Quebec City is a very, you know, closed city if I may say. So it's not easy to be accepted living in Quebec City. So if you're from a different faith, you may be a bit timid in showing your faith. So I mean, you're already from a different country, you're an immigrant and hearing what you hear about Islam, you might not wish to be identified as a Muslim, and you may be very discreet into your faith and going to the mosque.
You wrestle one night, get up the next morning and fly out to the next city. You try to work out, you try to get some food into you and, lo and behold, you have to go work again. You are living out of a suitcase.
You know, when your poisoning your body night after night after night, you end up chipping a couple years off your life. I've always wanted to be able to do this and now that I am, it's hard to complain.
After living out of a suitcase for years, it's a feeling of peace to wake up in the night and know where I am.
The city is going to survive, we are going to get through it, It's going to be very, very difficult time. I don't think we yet know the pain that we're going to feel when we find out who we lost, but the thing we have to focus on now is getting this city through this, and surviving and being stronger for it.
Barcelona is a very old city in which you can feel the weight of history; it is haunted by history. You cannot walk around it without perceiving it. In Los Angeles, it is quite the opposite: it is an older city than it might seem to be, but you don't perceive this -- every day you get out of your home, you are driving somewhere and sometimes you get this impression that everything was put there the night before.
At night, what you see is a city, because all you see is lights. By day, it doesn't look like a city at all. The trees out-number the houses. And that's completely typical of Seattle. You can't quite tell: is it a city, is it a suburb, is the forest growing back?
I'm very happy at City, very happy since the day I came. I knew that the project was good, and in my head, there is nothing else but Manchester City, so how long I'm going to be at City is just never a question.
You know, when you really connect with the instrument and everything just comes out on an emotional level very naturally through your playing. That's, you know, a great night. And I think the reason I love touring so much is you're chasing that high around all the time, trying to have another good night.
I think as much as the city is changing us, our experience inside the city also changes. I think, a city like Cairo - and it's interesting because yesterday, a friend of mine told me the same this thing about New York - is a city that you can't control. It's very bold and very aggressive, and it will constantly resist any attempt at control. But even though you can't control it, you can find your path within the city. You can come to a better understanding of your relationship with it.
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