A Quote by Janet Malcolm

I don't want to manipulate actuality; I want to record it. — © Janet Malcolm
I don't want to manipulate actuality; I want to record it.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
God does not want to control you, or stifle you, or manipulate you, or force you to do anything you don't want to do. Quite the opposite. God will let you do whatever you want to do, whenever you want to do it, with whomever you want to do it, and as often as you want to do it. When was the last time God stopped you from doing anything?
People don't understand the kind of fight it takes to record what you want to record the way you want to record it.
Yeah, I was in the phase for the last ten years or so where every record I made I said OK, that's the last one, I don't want to record anymore, I don't want to do this any more, I don't want to have a public life.
You must discriminate between those who claim to help you and only want to manipulate you and those who are free, who never manipulate.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
I just want to keep living on and enjoying food! Even though I'm gaining weight, I want to record if the Lord wants me to still record, and I just want to do my work on the road as long as I got those fans out there.
You want to put out a record that you feel is exactly as you want it. Nobody wants to tour for two years on a record they don't like.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
Obviously, it's designed by record company executives who want a cheap success, and they don't want to give money to anybody and they don't want to give contracts, so they've created this world of very bubbly teenagers who want to be "idols" and they think all they have to do is mime quite well and they've made it. ... But it's not the problem of the kids, it's the problem of the record companies, because it's just an inexpensive way for them to have so-called, I won't say "artists", but erm...You're nodding, you know what I mean.
I want to throw my voice more, I want to manipulate melody more... I want to be less deliberate and mechanical... I want less melody.
You know, the European record labels always say, 'We want 12 songs and then we want bonus songs,' and you're going, 'What for? Why?' That's not a record.
We have a secret project at Third Man where we want to have the first vinyl record played in outer space. We want to launch a balloon that carries a vinyl record player.
I want a number one record, I want to be travelling the world, I want to be playing in front of thousands of people.
Some record labels want to package you in a certain way and we didn't want that. Once the record company saw we had some substance and were not a one hit wonder. They got 100% behind us.
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