A Quote by Janet McTeer

You can't keep things secret in a film anymore. Once you realize the secret's out, you might as well go with it and not pretend that it's not there. — © Janet McTeer
You can't keep things secret in a film anymore. Once you realize the secret's out, you might as well go with it and not pretend that it's not there.
To call it an anticlimax would be an insult not only to climaxes but to prefixes. It's a crummy secret, about one step up the ladder of narrative originality from It Was All a Dream. It's so witless, in fact, that when we do discover the secret, we want to rewind the film so we don't know the secret anymore. And then keep on rewinding, and rewinding, until we're back at the beginning, and can get up from our seats and walk backward out of the theater and go down the up escalator and watch the money spring from the cash register into our pockets.
I really like knowing secrets, and once I do know that secret, I can keep it. But if I'm on the outside and I don't know the secret, that's a different story. I will try with all my power to get the secret out of the person who knows.
After I won in Beijing I chatted with a lot of Indian athletes and they were interested and keen to know what I did. They all thought that I had some sort of secret for success, but I just wanted them to understand and realize that the biggest secret is: there is no secret.
Not all lies are harmful. Sometimes we're willing participants in deception for the sake of social dignity, maybe to keep a secret that should be kept secret, secret. We say, 'Nice song.' 'Honey, you don't look fat in that, no.'
One of the things that I love when I go to a film or when I'm reading some book or whatever, is to be told a secret I thought only I knew and then someone says, "Oh my gosh, you know, too." And film can take us into private moments in a way that the theater, I think, kind of can't, and that's one of the reasons I like doing films. And the way a book can is that these little secrets and the private things that go on in our minds that maybe we haven't shared with anyone, and then someone writes it or shows it to you in a film, you think, "Oh, that's me. Oh my God, that's me, I have that secret."
One of the things young people always ask me about is what is the secret to success. The secret is there is no secret. It's the basics. Blocking and tackling.
The severest test of character is not so much the ability to keep a secret as it is, when the secret is finally out, to refrain from disclosing that you knew it all along.
The secret to overcoming a feeling of loneliness is not going outside to meet people. That will only keep you from being alone. The secret is going inside yourself, to realize your true kinship with God and with all the human beings that he created.
There's something quite magical that can happen when a secret is no longer a secret - or is a shared secret or a common secret. By allowing those boundaries to be porous, certain forms of oppression may be lifted.
I was always waiting for the secret to be handed down to me. Ron Howard asked me what I was waiting for and I went, "Ron, I'm waiting to know the secret. I keep feeling there's some sort of secret that's going to passed on from a director." He went, "Oh no. There is none. You've just got to on and do it and make mistakes and figure it out."
There's a thing when you're always working on something you really love, and this one we loved so much, it feels like you have a secret, and you can't wait to let people in on the secret. But at the same time, there's that moment where, "What if they get the secret and they think the secret is stupid?!"
It is the privilege of the rich To waste the time of the poor To water with tears in secret A tree that grows in secret That bears fruit in secret That ripened falls to the ground in secret And manures the parent tree Oh the wicked tree of hatred and the secret The sap rising and the tears falling.
My ancestors had to keep their customs secret for fear of death or persecution, so it's common to be secretive and discreet about Regla de Ocha. But it's my family's spirituality, so I don't want to keep it secret.
The secret is not to make a film that causes something like Virginia Tech to happen. The secret is to make a film that stops it happening.
When you pretend for a living and you have to pretend in your private life as well, it's very sad. Because it's intangible, depression is an issue that people don't like to talk about. It's like a huge, guilty secret.
A secret ceases to be a secret if it is once confided - it is like a dollar bill, once broken, it is never a dollar again.
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