A Quote by Janet McTeer
I feel strongly for the younger actresses when a lot of their career is based on how they look. That must be hard when your looks begin to go and you haven't built up the wealth of character parts to get into something else.
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Not that I'm in the stage of my career where they're offering me parts in 'The Revenant,' but I try very hard to go through the audition process because I feel like I learn quite a lot about the character and the people I'm going to work with.
If you feel strongly about something and you want to voice your opinion, I feel it's your right, so, that's how I look at it because that's how life is.
I guess Johnny Depp has a pretty good career. I love a lot of parts that actors have played, so I love pieces of their career, but it's pretty hard to look at an actor's whole career and go, 'That was awesome!' Usually it either ends on a crappy show or with no work at all.
Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
Radio means you can play parts that aren't based on your looks or your age. It's a lot of fun. You can do tremendous things - play more diverse characters - that you wouldn't get to do in theatre or TV.
All the time, you're going into your modeling agency and they're taking Polaroids of you in a bathing suit. It was not something that was wonderful for me. It offered a lot of really great opportunities for me. But ultimately, it's a hard job because it's based solely on what your body looks like, what you look like.
When you look at the accomplishments of accomplished people and you say, “Boy, that must have been really hard,” ... that was probably easy. And conversely, when you look at something that looks easy, that was probably hard. And so you’re never going to know which is which until you actually go and do it.
In my career I defined myself by my music, and the danger is that one defines oneself based on popularity. As you know, that goes up and down, and you can't judge how you feel about yourself based on what your sales is.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
Modern capitalism is based on a myth: that thriving private entrepreneurs generate wealth through their own hard work, innovation and get-up-and-go.
The novel is a big space, and a lot can happen. Just think about the parts of your life. How do we account for our own contradictions? The only way to understand them is to let them exist, as truths that indicate something about character. People are built of elements that don't fit together - and the conflict of that is their essential drive.
All I can tell you is that you cannot make choices in your own career, either career choices or choices when you're actually working as an actor, based on trying to downplay or live up to a comparison with somebody else. You just can't do that. You have to do your own work based on your own gut, your own instincts, and your own life.
In fiction, a reaction shot is a brief portrayal of how your character reacts to something that someone else has done. In contrast to more direct character building, your guy doesn't initiate the sequence; he completes it. Exactly how he completes it can tell readers a lot about him.
A lot of actresses feel the pressure to constantly look good, to constantly show how well-toned every inch of their bodies are and how much they've been to the gym, not necessarily to do justice to the role they're in, but to point out to the producers out there, 'Hey, look what I've got - remember me for your next project.'
I feel very protective of younger actresses, because it was so hard for me in the business.
I think for a lot of artists, if you're lucky enough to have a kind of career, especially toward the end, you start to think about what the whole ensemble looks like. It's the whole that counts. The parts are given, but you don't know how the whole thing's going to look when it's all put together.
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