A Quote by Janet Mock
My personal style really started in my teens when I gained purchasing power to actually buy my own damn clothes. For so long, my parents dictated what I wore, which largely was their way of containing me within the gender binary.
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An underpaid man is a customer reduced in purchasing power. He cannot buy. Business depression is caused by weakened purchasing power. Purchasing power is weakened by uncertainty or insufficiency of income. The cure of business depression is through purchasing power, and the source of purchasing power is wages.
My style has definitely evolved. When I first started out I think I was a little all over the place and the clothes kind of wore me rather than the other way round. But now I'm at the point where I'm comfortable dressing for me, I know what works and what I like.
1961 was when I was really into clothes. I left school at 15 and started copying a bloke who used to go up on the train to London with me; Leslie, I think his name was. He was like, top mod of his own area. He wore Italian jackets with white linen jeans. Boy, was that cool! I mean, that's in style now - it's very much the L.A. look. But he was wearing it then, and it looked supercool.
I think my mum was really very ahead of her time. She wore very little makeup. She really explored the way that she wore clothes in a very honest way. She wore a lot of vintage stuff and mixed it with bespoke men's tailoring and things like that. That was a huge influence on me, seeing a woman in the spotlight carry herself in that kind of way. But mostly, for me, it was just that she was an incredibly honest and sort of natural person.
... that gender is a choice, or that gender is a role, or that gender is a construction that one puts on, as one puts on clothes in the morning, that there is a 'one' who is prior to this gender, a one who goes to the wardrobe of gender and decides with deliberation which gender it will be today.
When I first started going on the red carpet, I wore a lot of Armani, but I didn't really have my own style apart from that. I think I was just lazy.
I'm really interested in fashion but at the same time I find it quite competitive. Second-hand stuff leaves you more open to whatever your own personal style is rather than feeling dictated to by shops.
We buy our way out of jail but we can't buy freedom,
We buy a lot of clothes when we don't really need them,
Things we buy to cover up what's inside.
Like many teens, I struggled with my body and looks, but my despair was amplified by the expectations of cisnormativity and the gender binary as well as the impossibly high beauty standards that I, and my female peers, measured myself against.
For me, cultivation of my own style really started by looking at people. There are just some really beautiful people in the world. When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing-into their mannerisms, the way they smile, or just the way they hold themselves.
I'd call my work 'instinctual design.' I like to find the spirit of a piece that defies time, age, and occasion. My clothes give the wearer the chance to develop their own voice within a wardrobe, and I think of them as curators of their personal style.
I think our society has sort of built this gender binary, and the way we've said it exists does not really exist in nature.
Gender roles are absurd when you actually look at them. The fact that anybody could ever say or think that dressing in women's clothes is wrong, or odd. Women dressing in women's clothes and men dressing in men's clothes is the actually the thing that is really odd.
I really love clothes, but I think I have a style of my own which is quite eclectic.
I want to say that the way in which we understand gender actually changes the way we live gender.
Bodies have a sex, but gender is a thing we made up, like your star sign or nationality. It doesn't really say anything about who you are. The destruction of gender binary would free everybody.
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