A Quote by Janet Mock
I take the time to show up for people in my field who are often not seen and heard in the same capacity as I am. Applauding other women and queer writers of color enables me to recognize and showcase the abundance of talent and work being created.
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We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
I've had people - I've seen people do routines that I knew they didn't take from me but they had - because for whatever reason I had stopped doing it a long time ago. There's no way they would have heard this bit. But it ends up being pretty much the same thing.
It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.
I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
What am I then...? Everything that I have seen, heard, and observed I have collected and exploited. My works have been nourished by countless different individuals, by innocent and wise ones, people of intelligence and dunces. Childhood, maturity and old age all have brought me their thoughts....their perspectives on life. I have often reaped what others have sowed. My work is the work of a collective being that bears the name Goethe.
Historically, opportunity has been afforded to a limited pool of people, excluding people of color and women. That doesn't diminish the talent or hard work of the people within that pool, but it does narrow the field of stories that have been told, and of the creative ideas and perspectives out there.
The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play - characters created by writers who have nothing to do with who I am.
In some ways, I value specificity. I think that there's power in, once you know who your fan base is, being able to speak to them. I hope to cultivate a fan base of black girls and black people and people of color, women of color, queer people, people who are are marginalized in general.
The writers who have been serious about recreating American literature have always been far and few between. What we do have at the end of the 20th century that we didn't have at the beginning, at that time of the Lost Generation of rich white boys, is a mixture. We're now getting gay writers of color, let's say, and women of color being published. This is unprecedented.
At every show, people I've never seen approach me with the same story: how experiencing my work changed their lives and made them artists or writers or law enforcers or attorneys, believe it or not. It's very humbling and gratifying.
I am pansexual as I actually remember also being attracted to women as well and thinking that maybe this like, thing where I was attracted to men was just like some weird phase or if it was something I could just ignore. My mom is queer and I have a queer uncle. So, I wasn't completely, you know, shielded from queer representation.
'2 Dope Queens,' it was just a way for us to showcase female comedians, showcase comedians of color, showcase LGBT comedians, and shake up the landscape and be like, 'Hey, there is more than just what is out there.'
I've bought the same used car from the same man since I was 16 - a Buick every time. They always work, I don't care what color it is. I don't want people to recognize my car in case I want to commit a crime.
My favorite thing to do is rip the covers off a script when reading for writers to hire and make everybody read without names on the covers of the script. I can't tell you how many times my writers, women and men, will pick people of color and women much more often than they would with a cover on the script.
I've already produced one hour specials for other comedians and I have a TV show called Stand Up Revolution where I showcase new talent and so I'd like to continue to do stuff like that and help out the next guy.
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