A Quote by Janet Montgomery

In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it. Either the character helps you discover that element of you or the other way around, where that element of you helps you discover the character.
In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it.
I guess, as an actor, you have to bring something personal to the character - you've got to identify and love one element of the character, or else you can't really inhabit and find ownership.
I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.
I want to keep an element of myself in every character I play. And maybe that's connected to finding something that you like in every character. Maybe they coincide.
Character starts with the alphabet. Letters: words: sentences Character is a function of language—a collection of errors and deviations that resonate with certain behaviors. As with every other element in fiction, it is a record of a writer’s decisions.
My character is such an entertaining character that it is a whole other element to the show, so once they put me and Carmella together it was like, okay, now I have something to do.
Every character I get to play has some element of who I am, but there's no fun in playing yourself. At least, for me, there isn't.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
The great character actors are now the actors whose work has the element of ritual sacrifice once claimed by the DeNiros of the world, as well as the element of danger - the actors who thrill us by going for broke.
My central strength as an actor is the fact that I'm 6 foot 3. A certain power emanates from my size, juxtaposed with the fact that I try to find an element of sensitivity in every character I play. People enjoy seeing that because it goes against what we're led to expect as far as the way men are supposed to be - macho and all that.
I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources
I make out a play list for every character and buy the records they would listen to; it helps me find their personas. What they play, where they stay, who they lay, is my matrix for character development.
What the expression is intended to mean, I think, is that there is a better and a worse element in the character of each individual, and that when the naturally better element controls the worse then the man is said to be "master of himself", as a term of praise. But when - as a result of bad upbringing or bad company one s better element is overpowered by the numerical superiority of one s worse impulses, then one is criticized for not being master of oneself and for lack of self control.
Sometimes every single element of a character is a torturous discovery.
I think that's how any actor would make their performance convincing: by bringing an element of themselves into the character.
On the sequel, you've lost the element of surprise. Usually, on the first one you may not go very, very deep into character; the second one you start to explore the character a bit more.
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