A Quote by Janet Scudder

I don't believe artists should be subjected to experiences that harden the sensibilities; without sensibility no fine work can ever be done. — © Janet Scudder
I don't believe artists should be subjected to experiences that harden the sensibilities; without sensibility no fine work can ever be done.
These days there are painters that go inside a factory in order to be inspired by the noise of machines, so that it affects their works. Of course, artists need sensibility; sensibility towards their environment and their community, but when they are stirred enough by their experiences in their society they can create their art in small studios.
Art should be able to be innovative without compromising itself. That's why I believe artists should have bigger preoccupations than checking the price tags on their work or becoming curators' darlings.
Artists have to believe in the merit of their own work and persevere whether they receive public recognition or not, but it's ever so nice when someone says, "Job well done"!
I believe artists should be able to step into other people's situations, contexts and cultures and work from there. If artists don't have that freedom, then, as someone has said, are we all writing our autobiographies?
The whole of education should be designed so as to occupy a boy's free time in cultivation of his body. He has no right to loaf about idly; but after his day's work is done, he ought to harden his young body, so that life may not find him soft when he enters it. No one should be allowed to sin at the expense of posterity, that is, of the race.
No fine work can be done without concentration and self-sacrifice and toil and doubt.
I was like many another who starts an intrigue timidly. Once into it, I had to go on, and therefore I had to harden my sensibilities.
Keyboardists whose chief asset is mere technique . . . more often than not astound us with their prowess without ever touching our sensibilities. They overwhelm our hearing without satisfying it and stun the mind without moving it.
I think theoretically if a man is young and healthy society should not give him a basic income. He should not be given dole. He should not be eligible for welfare. If he can work and if there is work available, he should take his choice. If he wants to be a hermit or beggar, that's fine. If he wants to move with the sun and live off the land, that's fine. If he is in a society which has work for him I don't think he should theoretically be eligible for welfare.
She taught me all about real sacrifice. That it should be done from love... That it should be done from necessity, not without exhausting all other options. That it should be done for people who need your strength because they don't have enough of their own.
I believe that artists should be part of the culture. I think that my work clearly bears that out.
Even myself, I believe that as an artist I should pursue more independent activities. If more artists believe in this and are active about it, they will be able to accomplish more on their own, without the influence of entertainment labels.
I believe that one should be able to control and manipulate experiences, even the most terrific, like madness, being tortured, this sort of experience, and one should be able to manipulate these experiences with an informed and an intelligent mini.
You should not have taken advantage of my sensibility to steal into my affections without my consent.
I work with big directors. I work with good actors. I act in female-centric films. And I do all this without ever indulging in a casting couch experience. Because I believe in hard work, talent, and blessing.
The only thing that does change, to some degree, is [that] you have some life experiences, you suffer a certain amount and you incorporate that into your work. Not in the content of your work, but in the sensibility of your work. It's nothing that you try and do; it just happens. And if you're lucky, people buy tickets to see it, and if you're not lucky, [then] they don't like it. But that's all.
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