A Quote by Janet Suzman

Jews have had to carry around their own sense of self in a carpet bag and I think perhaps too much emphasis might be being put on nationality and on the other hand patriotism, that sort of thing.
I think because I did become a well-known face in my thirties and not in my twenties, I was pretty settled in my boots and I knew who I was. And I think there's a sort of Scottish thing, too, where you don't take yourself too seriously, and you don't get carried away with your own sense of self-importance.
I don't really put too much emphasis on what somebody else might think of it. Otherwise your putting limits on yourself.
Rusbridger's intelligence, personal sense of higher calling and almost other-worldly self-absorption have played no small part in the stories that have most defined the Guardian and that, under another sort of steward, might have had a much more sceptical reception.
I believe there need to be women visual in our every day landscape, working hard and doing their own thing, whether you like it or not, whether it's acceptable or not...I especially hope to inspire young women because often I feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change that, change the emphasis of what's important when looking at a woman.
I think you need to figure out your balance. 'Cause if you think too much about that there's people around and - and how you're singing and looking and performing, I think that it won't be a good performance. Then, on the other hand, you can't just be in your own world.
For better or worse, I seem to gravitate toward writing about something or someone else, then have my own self shove its way into that story. It seems insanely narcissistic. But I also think there's a particular effect that comes from using my autobiography in service to another story, as opposed to being the subject. I'm much more comfortable working in that mode. And I do think I have a persona or mood that I keep coming back to: self-conscious, self-critical, unsure. I write a lot about bodies, particularly male ones, usually as a point of emphasis for my insecurities about my own.
I think have my own style; no one has ever tried playback singing before. I might release a punk rock song that perhaps other won't appreciate, but I like doing my own thing. I make music for my own satisfaction, not for money or fame.
I wasn't putting too much emphasis on it (the booing). I think that you have to put it behind you.
I always think that there's a weight of prejudice from the past that gay people perhaps carry around with them. Even if it doesn't exist so much around them, they still have a feeling of being excluded, and perceived prejudice is almost as unsettling as actual prejudice.
One thing that is clear to me: as a society, we put way too much emphasis on a slip of paper - that college diploma.
there is a danger, when thinking of the earliest civilized people, of putting too much emphasis on technology. One tends to assume that if you don't have, at least, a lavatory and perhaps something that will take you a lot faster than your own feet, or a certain number of gadgets in the house, then you must be in some way, a bit backward and defective ... the important thing to remember is that technology is not necessarily the same thing as civilization.
On the other hand, for the whole human being who wills, feels, and represents, external reality is given simultaneously and with as much certitude as his own self.
I might not have the ability to ever carry a child and I have this damn bag for the time being – but I'm alive.
John: I'm experiencing an odd sensation. I think it might be patriotism. Spitfire: Steady. Too much of that can damage your health.
I don't like to wonder about it-I just like to do it. That's what I mean about the image stuff and all that. There's far too much emphasis being placed on that kind of stuff... the whole emphasis on what does it mean? Everybody has their own particular vision.
There is so much investment in it of people's labor time that it will never make money. But there are other documentaries that you might make that are sort of on assignment for television that turn around in three to six months. Then the margin can be much be better for you because you're not spending three-and-a-half years on it. So I think if you're doing documentary films, that's sort of the way to look at it.
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