A Quote by Janet Weiss
I liken Sleater-Kinney to a freight train. It felt like this incredible, forward-moving, powerful energy.
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I loooved Sleater-Kinney like a crazy person.
What I appreciate about Sleater-Kinney is that we did six records, and they all felt different. It was a band that was able to encapsulate different sensibilities because we were focusing on it as music and art and not as a statement.
I saw Sleater Kinney perform back when I was in college.
Part of this whole Sleater-Kinney 2.0 is breaking the rules. We wanted to tell our story... we feel like we need to stand up for ourselves.
I think I was so grateful, in the years after Sleater-Kinney broke up or went on hiatus or whatever you want to call it, to find 'Portlandia' and co-create 'Portlandia' with Fred Armisen, which allows for levity, allows for the same kind of kinetic energy, but channeled through absurdity and surrealism.
This band has a weight to it. Our songs feel important to play... That was missing in my life without Sleater-Kinney.
You don't hear it on the radio. There's something about the voices in Sleater-Kinney that's a little too challenging to ever be on the inside.
With Sleater-Kinney, we have a lot of earnest fans, and we were an earnest band.
Sleater-Kinney becomes bigger than the three of us. It pulls us along, in a way.
Thank you for the music, Sleater-Kinney. This gang of three was the best American punk rock band ever. Ever.
I am trying so hard to live in the moment and enjoy it while it's happening, because it feels like a moving freight train that I just got on, and I'm trying not to look back and get dizzy!
Sleater-Kinney's biggest momentum was from the press - that, second to Radiohead, they got more positive press than any other band in America in the 90s.
Huge advances in clean energy technology are happening all the time. Solar and wind are booming. New ways to generate energy from our windows, the paint on our walls, and even our bike paths are being invented all the time. Technology is moving forward, but it needs to be moving forward faster.
With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
The group-effort sound in recording of Sea Lion is like, you really hear all the people in the room and hear them interlocking. Theres a real freight-train energy of all these people at the same time playing.
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