A Quote by Janette Rallison

I suppose you could pass for a starlet. You do have that femme fatale air about you. Like you crush boys’ dreams in your spare time. — © Janette Rallison
I suppose you could pass for a starlet. You do have that femme fatale air about you. Like you crush boys’ dreams in your spare time.
Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women.
Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.
Well, I'm not at all like the tough, sexy femme fatale in Confidence but it's fun to play people who're really different from you, from different cultures and places. I suppose I'm a bit quieter than most of the people I play.
And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.
I'm not really a femme fatale.
I would love to play the Femme Fatale or an action role like Trinity in the Matrix or something like that. You know, a part with a lot of costume changes.
Stained is about a lonely bookshop keeper, and her past comes back to haunt her. I play a femme fatale, schizophrenic serial killer. They offered me the part and I was like, "I'm just curious why you thought I would be perfect for this role," and the director (Karen Lam) said, "You have this look that, when you're smiling, you're really sweet, but when you're not smiling, you look like you could kill somebody."
It's not often that I'm being called femme fatale.
I guess I'm just not the film femme fatale type. I giggle too much. I have freckles and a turned-up nose, and I walk like an athlete.
I'd love to play a femme fatale. And I wouldn't mind working with George Clooney.
The mystique of the femme fatale cannot be perfectly translated into male terms.
My dream role would be to play a femme fatale in a Quentin Tarantino movie.
Consider the word “time.” We use so many phrases with it. Pass time. Waste time. Kill time. Lose time. In good time. About time. Take your time. Save time. A long time. Right on time. Out of time. Mind the time. Be on time. Spare time. Keep time. Stall for time. There are as many expressions with “time” as there are minutes in a day. But once, there was no word for it at all. Because no one was counting. Then Dor began. And everything changed.
I think that plain old intellectualism [can be] a more powerful force than the idea of the femme fatale.
As to the effect of the wave on the air, we will suppose the water to be quite flat and the air motionless, a heavy undulation comes on the scene, it has to pass, so it pushes the air up with its face, letting it fall again as its back glides onwards.
There's something very, very liberating about Harley Quinn. Much more so than a character like Catwoman or Poison Ivy. Those are great characters. But then again, those characters are more of the femme fatale and the temptress roles.
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